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April 20, 2011, 12:13 pm
The 2011 NAB show floor was more eclectic than ever, hosting demos of single-body stereo 3D cameras and bleeding-edge DI tools alongside sexy glimpses of new Thunderbolt storage devices, iPad dailies and color-correction, and, well, that makeshift tattoo booth outside the big Red tent.
May 3, 2018, 5:06 am
Adobe Capture CC is a fantastic app that enables you to find fonts and colours simply by taking a photo. You may be wondering what fonts have been used in your favourite magazine, for example, or you may wish to take colour references from an object or scenery. In this article we'll run through three ways to get the most from Capture CC. You can find the app on the iOS App Store or Google Play.
May 2, 2018, 5:13 pm
BLADE RUNNER 2049: The Art of Master and Wide Shots from Jorge Luengo Ruiz on Vimeo.
May 2, 2018, 12:17 pm
Fremont, CA – May 2, 2018 – Blackmagic Design today announced that Editor Alan Edward Bell used its visual effects (VFX) and motion graphics software, Fusion 9 Studio, while editing the film “Red Sparrow.”
May 2, 2018, 8:52 am
In 2015, Peter Chiang explained the work of DNEG on EXODUS: GODS AND KINGS. He then worked on STAR TREK BEYOND. Today he tells us about PACIFIC RIM: UPRISING.
May 2, 2018, 8:52 am
Before you can even delve into creating a great mix, it’s good to be aware of the traits of one that isn’t there yet. These 7 signs of a amateur mix come from the 4th edition of my Mixing Engineer’s Handbook and are useful in picking out problem areas, looking at it from a global level instead of examining individual tracks. Does your mix have any of these characteristics?
May 2, 2018, 4:13 am
When Paul Walker tragically passed away halfway through filming Furious 7, Weta Digital were called upon to carry out the sensitive task of completing Paul’s performance. Relying on a combination of methods such as referencing previous footage, doing body scans of Paul’s brothers and some meticulous compositing, Weta Digital enabled Paul’s legacy to live on.
May 1, 2018, 4:23 pm
Not everyone loved the fourth season of Arrested Development. Each episode focused on one character and full storylines didn't really come together until the very end of the season. Because the storytelling was so different from that of earlier seasons, some fans of the show found the latest installment to be a little off-putting. And that's why way back in 2014, the show's creator, Mitch Hurwitz, said he would be re-editing the show's fourth season, rearranging the scenes so that they flow chronologically rather than having each episode focus on a single character. Now, well over three years later, Hurwitz has announced that the shuffled fourth season will debut on Netflix this Friday.
Gordon Burkell sits down to talk Punk Rock, documentary editing and directing with Shaun Colon. Check out his film A Fat Wrec ...
Gordon Burkell sits down with Tristan Oliver to discuss his work on Isle of Dogs for Wes Anderson.
Gordon Burkell sits down with Joe Letteri to discuss his Oscar-nominated work on War for the Planet of the Apes.
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