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  • Digital Rebellion Podcast

    Digital Rebellion Podcast

    April 22, 2011, 3:36 pm
    We've just created a video podcast to show how to get the most out of Digital Rebellion products. We plan to show tutorials and demonstrations for common workflows and focus on tips and tricks that people don't know about. The first episode is the Cut Notes overview video from earlier this year and more episodes will be coming shortly.

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  • Other Postings By Member

    • THE CREATURE FITS THE SUIT IN THE SHAPE OF WATER
      VFX

      THE CREATURE FITS THE SUIT IN THE SHAPE OF WATER

      January 5, 2018, 5:30 pm
      Guillermo del Toro is no stranger to the world of creatures. His films have featured insects, monsters, ghosts, human-hybrids and everything in between.

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    • Unreal Engine: free VFX Master Class in LA by Jose
      VFX

      Unreal Engine: free VFX Master Class in LA by Jose

      January 5, 2018, 3:27 pm
      This January learn essential real-time skills central to virtual production and interactive/immersive pipelines using Unreal Engine 4. Two free master classes will take place at Gnomon School of VFX.

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    • Nuke and Houdini developers win technical Oscars
      VFX

      Nuke and Houdini developers win technical Oscars

      January 5, 2018, 8:17 am
      SideFX’s Houdini showreel. Five staff involved in the development of the procedural 3D animation system win 2018 Scientific and Technology Awards, including an Oscar statuette for mathematician Mark Elendt.

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    • AOTG
      VFX

      ILM, Pixar, DreamWorks Among 10 Academy Sci-Tech H

      January 4, 2018, 1:41 pm
      LOS ANGELES -- The Academy of Motion Picture Arts and Sciences announced 10 achievements represented by 34 individuals and one organization will be honored Feb. 10 at its annual Scientific and Technical Awards presentation in Beverly Hills.

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    • CGA Belgrade – Maya Modern Rendering workflows
      EDITING

      CGA Belgrade – Maya Modern Rendering workflows

      January 4, 2018, 8:41 am
      Nikola is Principal PD/PO based in Toronto, working with multiple teams and projects in Autodesk. He is responsible for Maya Color Management, Hypershade, Render Setup, directly working with Arnold Team and designing Maya future workflows like MaterialX – LookDevX and Procedural world building. He was previously working on various positions with smaller and large studios as Sony Imageworks and Framestore.

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    • AOTG
      EDITING

      Light Kit 2 Effects for FCP X, Premiere Pro, AE an

      January 4, 2018, 8:41 am
      Light Kit 2.0 is a set of 16 plugins for Final Cut Pro X, Premiere Pro, After Effects and Motion designed to add flickering, regional, burning, flashing lights and color stylization.

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    • AOTG
      SOUND

      Avid VENUE | S6L Software Update Delivers Free On-

      January 4, 2018, 8:41 am
      BURLINGTON, Mass., Jan. 04, 2018 (GLOBE NEWSWIRE) -- Avid® (Nasdaq:AVID), a leading global media technology provider for the creation, distribution and monetization of media assets for global media organizations, enterprise users and individual creative professionals, today announced the availability of a new version of Avid VENUE™ Software and new Avid VENUE | On-Stage iOS app for its award-winning Avid VENUE | S6L live sound system. Powered by MediaCentral®, the industry's most open and efficient platform designed for media, the software update and On-Stage app introduce a range of exciting new control surface and software workflows for monitor engineers.

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    • AOTG
      COLOR

      How to Quickly and Easily Color Grade Your Footage

      January 3, 2018, 1:22 pm
      Colors straight out of camera vary greatly between brands and sensors. Canon has been known for a long time for its great skin tone reproduction, while other manufacturers have created more troubles for colorists and retouchers to get perfect tones without a solid post-production workflow. In this tutorial, Chrystopher Rhodes from YCImaging shows how he uses 3D LUT Creator to get perfect colors out of his Panasonic GH5 and goes further by quickly demonstrating how you can color match your footage to any picture or video you like.

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    • ‘Lady Bird’ Editor Nick Houy on Keeping It Tig
      EDITING

      ‘Lady Bird’ Editor Nick Houy on Keeping It Tig

      January 3, 2018, 1:22 pm
      One of the virtues of “Lady Bird” is the running time: a tight 94 minutes. Nick Houy, who was just nominated for an American Cinema Editors award for his work, says brevity was not a goal per se: “You only ask yourself, ‘Is the story working?’ You can’t worry about specific times.”

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    • AOTG
      VFX

      ‘Blade Runner 2049’ VFX reel breaks down that

      January 3, 2018, 1:22 pm
      Despite the insane stakes, this year's Blade Runner 2049 lived up to (and in some ways surpassed) the paradigm-shifting original film. The sequel created its gritty futuristic look with the help of plenty of visual effects, but building settings isn't all the film pulled off with digital wizardry. A shocking moment comes with the kinda-return of (*spoilers*) Sean Young's replicant Rachel, who looks like she hasn't aged a day. The company behind that VFX trick just released a trailer giving a peek at exactly how they did it.

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