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  • CMG Hidden Gems: Chapter 23 – Effects Roundu

    CMG Hidden Gems: Chapter 23 – Effects Roundu

    May 9, 2011, 8:54 am
    We're going through our book Creating Motion Graphics with After Effects 5th Edition (CMG5) and pulling out a few hidden gems from each chapter. These will include essential advice for new users, plus timesaving tips that experienced users may not be aware of.

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  • Other Postings By Member

    • AOTG
      SOUND

      iZotope named sound product of the year

      December 17, 2017, 8:19 am
      Over the Christmas period, each team member is sharing their product of the year. For Mike Thornton, it is RX6 Advanced from iZotope. Its the first time 'Mr RX It' has awarded iZotope RX Editors Choice. Watch the review and read the article to find out why...

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    • Animation Addicts Podcast #162: The Polar Express
      ANIMATION

      Animation Addicts Podcast #162: The Polar Express

      December 16, 2017, 1:26 pm
      Jump onboard The Polar Express (2004). Chelsea and Morgan are joined by Pablo Ruiz for this festive ride down holiday line on! -You comin’?

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    • WAR FOR THE PLANET OF THE APES: Siggraph talk by W
      VFX

      WAR FOR THE PLANET OF THE APES: Siggraph talk by W

      December 16, 2017, 8:29 am
      Interesting talk for Siggraph by VFX Supervisor Anders Langlands about the beautiful work of Weta Digital on WAR FOR THE PLANET OF THE APES....

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    • AOTG
      VFX

      VFX Artists Make Short ‘The Ningyo’ in Their L

      December 16, 2017, 8:29 am
      LOS ANGELES -- Indie filmmakers are frequently forced to use anything and everything they can get their hands on to realize their vision, but artist couple Miguel Ortega and Tran Ma have taken that concept further than most.

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    • AOTG
      EDITING

      NEW: Red Giant Universe 2.2

      December 16, 2017, 8:29 am
      Hi folks – today we are releasing Universe 2.2, an update to Red Giant Universe, our GPU accelerated plugins for editors and motion graphics artists.

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    • AOTG
      COLOR

      Getting Ready for Color in Postproduction

      December 16, 2017, 8:29 am
      In the last couple of posts, I’ve gone on and on about nesting. I thought I was finished with the topic, but my last post—avoiding trouble when you transfer your project to an audio designer—reminded me of some things you can do to make a grading session easier.

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    • THE MOUNTAIN BETWEEN US: Kevin Hahn - VFX Supervis
      VFX

      THE MOUNTAIN BETWEEN US: Kevin Hahn - VFX Supervis

      December 15, 2017, 10:29 am
      Kevin Hahn started his career in visual effects in 1998. He joined MPC in 2007 and works on films such as ANGELS & DEMONS, THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER, JOHN CARTER and MALEFICENT. As VFX Supervisor, he took care of the effects of films like THE FINEST HOURS, XXX: RETURN OF XANDER CAGE and FIFTY SHADES DARKER.

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    • Oscars: How Top VFX Pros Brought Baby Groot, Wonde
      VFX

      Oscars: How Top VFX Pros Brought Baby Groot, Wonde

      December 15, 2017, 10:29 am
      Superhero fare — from Thor to Justice League and Logan — swept the visual effects shortlist Dec. 4, while tentpole sci-fi projects, such as Star Wars: The Last Jedi and Blade Runner 2049, also were well represented. THR took a dive into how the VFX teams created some of this year's most imaginative effects, including the beasts, aliens and other out-of-this-world creatures that filled their stories.

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    • AOTG
      VFX

      THE WALKING DEAD - Season 8

      December 15, 2017, 5:54 am
      Goodbye Kansas Studios presents their work on the first episode of the season 8 of THE WALKING DEAD...

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    • AOTG
      VFX

      Michiel de Ruyter VFX Breakdown by PFX

      December 15, 2017, 5:54 am
      Michiel de Ruyter – You might not be familiar with Michiel de Ruyter, but in Holland, he’s a national hero. In the 17th century, he managed to defeat the English and the French at sea, becoming one of the greatest innovators of naval warfare. The film originated in Belgium and PFX was responsible for the computer graphics. Scenes that were once only shots of an empty sea are now filled with majestic, historic ships. The wind in the sails and the crew readying the cannons for their first enemy battle.

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