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  • Short course on text animation in After Effects

    Short course on text animation in After Effects

    May 9, 2011, 8:58 am
    Gareth Smith, who help create titles for Thank You For Smoking, Juno, and Jennifer’s Body, posted 5 tutorials on Vimeo of select topics on creating text animation in After Effects.

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  • Other Postings By Member

    • How Does VEGAS Pro 15 Compare
      EDITING

      How Does VEGAS Pro 15 Compare

      November 23, 2017, 6:00 pm
      I have used VEGAS Pro for more than ten years, and a big part of the reason I use it as my “go-to” NLE above any other choice is that it really is a comprehensive all-in-one set of tools. It actually lets you finish the whole project from the beginning to the end within one software package. Adobe Premiere Pro, Avid Media Composer, Apple Final Cut Pro X and Blackmagic DaVinci Resolve are all great in their own way, but they all have shortcomings that force users to rely on other tools to finish their project. VEGAS Pro is the NLE of choice for many editors because they can do everything they need to in this single tool, all while being more customizable with features that no other NLE can match.

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    • Bonus Eps. The Strange Ones
      EDITING

      Bonus Eps. The Strange Ones

      November 23, 2017, 2:22 pm
      Gordon sits down with the directorial team of Christopher Radcliff and Lauren Wolkstein to discuss their first feature film "The Strange Ones". This episode was edited by Carlee McKeating.

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    • AOTG
      VFX

      THE FATE OF THE FURIOUS: VFX Breakdown

      November 23, 2017, 12:21 pm
      Have a look at the VFX Breakdown by Rodeo FX about their work on THE FATE OF THE FURIOUS...

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    • AOTG
      EDITING

      How the FCC is Screwing Filmmakers

      November 23, 2017, 12:21 pm
      This episode of Indie Film Weekly laments the doomed fate of Net Neutrality and the 600mhz band.

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    • AOTG
      EDITING

      Shooting for the Edit...

      November 22, 2017, 6:46 pm
      We all know filmmaking takes a lot of planning and preparation, including coming up with a shot list to make principal photography less confusing. But even if you're a run-and-gun shooter who doesn't have a whole lot of time to carefully plan every shot before you shoot it, you can still not only keep your production on the right track but also get the shots you need to make your final edit more dynamic and entertaining. Jordy Vandeput of Cinecom shows you how in the video below.

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    • Maya XGen Interactive Grooming
      VFX

      Maya XGen Interactive Grooming

      November 22, 2017, 7:04 am
      Maya XGen Interactive Grooming – Animation Pipeline

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    • Detroit VFX Breakdown
      VFX

      Detroit VFX Breakdown

      November 22, 2017, 7:04 am
      Image-engine – Kathryn Bigelow’s Detroit is a period piece pressure cooker. Viewers are plunged into the furnace of the infamous 1967 12th Street Riot, and the racially charged Algiers Motel incident stokes the narrative flame. From this central point the film unfolds. Bigelow encloses her tight-knit drama in the chaos of civil upheaval, gradually building an oppressive story of dark deeds.

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    • JUSTICE LEAGUE: UI reel by Blind LTD
      VFX

      JUSTICE LEAGUE: UI reel by Blind LTD

      November 22, 2017, 7:04 am
      Really nice UI work by Blind LTD created for JUSTICE LEAGUE...

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    • AOTG
      ANIMATION

      John Lasseter Taking Leave Of Absence From Pixar

      November 21, 2017, 1:58 pm
      John Lasseter, the architect of Pixar and Disney’s juggernaut animation operations, is taking a leave of absence from his post effective immediately. He holds the title Chief Creative Officer of Walt Disney and Pixar Animation Studios, and Principal Creative Advisor for Walt Disney Imagineering.

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    • Cut Me: The Surgical Editing of 'Raging Bull'
      EDITING

      Cut Me: The Surgical Editing of 'Raging Bull'

      November 21, 2017, 1:57 pm
      irector Martin Scorsese has worked with editor Thelma Schoonmaker for four decades, resulting in editing Oscar wins for three of their movies: The Departed, The Aviator, and, the one that cemented the pair’s working relationship, Raging Bull. The meticulous sports opus is one of the most stylish the director’s ever made, with each scene’s craft leaping out of its stark black and white.

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