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  • AE - Importing Image Sequences

    AE - Importing Image Sequences

    May 11, 2011, 8:10 am
    Importing is a way of life for After Effects users, but sometimes we end up taking the long road without even realizing it. In this Quick Tip, Kevin P McAuliffe shows you how to handle image sequences, so they are easier to work with in your AE projects.

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  • Other Postings By Member

    • AOTG
      EDITING

      ‘Just Mercy’ Took a Year to Edit

      January 10, 2020, 8:38 pm
      Editor Nat Sanders is well-versed in dealing with difficult and painful subject matters. He won an Oscar nomination for his work (along with co-editor Joi McMillon) on Barry Jenkins’ “Moonlight,” and then cut the director’s poetic drama “If Beale Street Could Talk.” He’s also edited several projects for writer-director Destin Daniel Cretton, including “The Glass Castle.”

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    • AOTG
      EDITING

      Editor Kim Horton on Working With Michael Apted on

      January 10, 2020, 8:38 pm
      In film history, there’s never been a project like the nine “Up” British documentaries, which have presented unique challenges for director Michael Apted and editor Kim Horton as they follow the lives of British individuals in seven-year intervals. Horton, who has edited the films since the 1984 “28 Up,” says, “It’s probably the greatest thing I’ve ever done. Michael refers to it as his life’s work, and I see it the same way.”

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    • AOTG
      VFX

      THE WITCHER: VFX Breakdown

      January 10, 2020, 8:38 pm
      Don’t miss this VFX Breakdown by Framestore about their environment and magical effects work on the Netflix adaptation of THE WITCHER...

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    • Bonus Eps. Rob Legato on the VFX of The Lion King
      VFX

      Bonus Eps. Rob Legato on the VFX of The Lion King

      January 10, 2020, 7:31 pm
      Gordon sits down to discuss the VFX of The Lion King with VFX supervisor Rob Legato

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    • AOTG
      VFX

      THE EXPANSE - Season 4: VFX Breakdown

      January 10, 2020, 4:55 pm
      Here is the VFX Breakdown by Spin VFX about their work on the fourth season of THE EXPANSE...

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    • AOTG
      ANIMATION

      Pixars Latest Sparkshort Loop

      January 10, 2020, 4:55 pm
      The sixth Pixar SparkShort, Loop premiered today (January 10) on Disney+. This beautiful film showcases the world of Renee, a non-verbal, autistic character — who is also voiced by a non-verbal autistic girl named, Madison Bandy. The film takes place during a camp canoe outing, with Marcus (the neurotypical character) struggling to find a way to communicate with Renee, ultimately finding the patience and understanding from within, do we see a beautiful moment of friendship blossom between the two in the form of a single second of eye contact.

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    • AOTG
      SOUND

      Friday Free Plug-in - JP-ME-! Reverb From Ben Schu

      January 10, 2020, 2:14 pm
      In this week's Friday Free Plug-in, we are featuring JP-ME-1 From Ben Schulz.

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    • AOTG
      VFX

      AE & Performance. Part 7: Introducing AErender

      January 10, 2020, 2:14 pm
      When you install After Effects, Adobe also installs a separate program that can vastly improve productivity. You already have it. It’s there on your hard drive, right next to the main After Effects program. Even if you already know about it, there’s a good chance you’re not using it. It’s a standalone After Effects rendering engine, usually called AErender, and if we think of it as part of After Effects then I don’t know of any other feature with more potential to improve productivity.

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    • AOTG
      VFX

      VFX for ‘Black Christmas,’ A Holiday Horror Fi

      January 10, 2020, 2:14 pm
      ed by VFX Supervisor James David Hattin, VFX Legion’s global team of artists created all of the visual effects for ‘Black Christmas,’ the second remake of the classic holiday horror film. Blumhouse Productions returned to the LA/B.C.-based company for a range of digital shots - from blanketing the exterior scenes with CG snow to adding visual effects that augment the ominous look of the supernatural villain.

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    • AOTG
      VFX

      EndGamve VFX discussion

      January 10, 2020, 2:14 pm
      Already a “fan” of the Marvel Cinematic Universe, visual effects supervisor Dan DeLeeuw knew that “Avengers: Endgame” “was going to be the biggest film we’d ever done.” He wasn’t wrong. The Disney release eventually became the highest box office grosser in history, so the pressure to deliver was immense. Watch our exclusive video interview with DeLeeuw and fellow VFX supervisors Matt Aitken, Russell Earl and Jen Underdahl above.

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