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  • 3D Post: A Business Model in Progress

    3D Post: A Business Model in Progress

    May 12, 2011, 11:12 am
    I still find it hard to believe that my little post-production studio has been around for 17 years. I find it even more amazing that two years ago, I had an opportunity to do one 3D project, and that now 3D editorial and finishing makes up more than 50 percent of my work -- and 2011 already looks like it could be even more.

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  • Other Postings By Member

    • AOTG
      SOUND

      Schwartz on Veep, The Good Place and Arrested Deve

      April 23, 2019, 6:15 am
      There is a playful exuberance to composer David Schwartz‘s work. PremiumBeat sat down with the man behind Arrested Development, Veep, and the The Good Place to talk about edgy, smart comedy — and why it’s important to score what’s not on the screen.

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    • AOTG
      SOUND

      Never Underestimate The Power & Impact Of Simple G

      April 23, 2019, 6:14 am
      In this free video tutorial, brought to you with the support of Waves, we show you how to setup a simple gated reverb plug-in chain. Gated reverbs are a great way getting instant power and impact in a mix without lengthy reverb tails muddying up the entire mix. In this video we show you how to not only setup the gated reverb on an effects return but also how to change the tone and attitude of the send that feeds the overall gated reverb effect. Gated reverbs lend themselves very nicely to snare tracks, watch this free video to hear this effect in action using Waves GTR Stomp Boxes and C1 Gate.

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    • AOTG
      EDITING

      The Top 3 Trends at NAB 2019

      April 23, 2019, 6:14 am
      It was a pretty quiet year as far as new cameras go, but that meant that some other technologies took center stage at NAB 2019. Let’s take a closer look.

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    • AOTG
      VFX

      The Man in the High Castle - VFX Breakdown

      April 23, 2019, 6:14 am
      Barnstorm VFX have shared a VFX breakdown of their work on season three of The Man in the High Castle.

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    • AOTG
      EDITING

      Thunderbolt storage - made bigger and faster

      April 23, 2019, 6:14 am
      One of the eternal rules in production and post production is that media will always expand to fill the space you allocate it + a bit more. There is always too much, and individual operators and small to medium post houses have tended to struggle on with NAS devices as they don’t have the room nor the budget for rack system storage.

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    • AOTG
      EDITING

      SD, HD, 4K, and Beyond

      April 23, 2019, 6:14 am
      Hey, all you young filmmakers who grew up watching your favorite movies and TV shows on sleek UHD sets and monitors...how I envy you.

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    • AOTG
      EDITING

      FCP Fans Rejoice Hedge Acquires Postlab

      April 23, 2019, 6:14 am
      Postlab is one of those applications that really checks off all the major boxes of a startup. Developed in-house at a Dutch broadcasting company, it was built by people who themselves were struggling with the problem it set out to solve. It's a solution to a pain point—helping FCP-X users share libraries with groups and maintain version control.

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    • Going back to 'Pleasantville': when doing a DI was
      VFX

      Going back to 'Pleasantville': when doing a DI was

      April 22, 2019, 6:23 am
      PLEASANTVILLE VISUAL EFFECTS SUPERVISOR CHRIS WATTS ON BRINGING THROUGH A REVOLUTION IN SCANNING/FILM-OUTS, THE UNEXPECTED USE OF SHAKE, AND THE FILM’S HARDEST SHOTS (THEY’RE NOT WHAT YOU THINK).

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    • AOTG
      SOUND

      Editing MIDI In Pro Tools - Do You Know How To Con

      April 22, 2019, 6:23 am
      In this free video tutorial Pro Tools Expert team member Julian Rodgers looks at the MIDI editor in Pro Tools and specifically on ways to direct keyboard shortcuts to the Edit window or to the docked MIDI editor.

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    • AOTG
      EDITING

      SHAZAM! Editor on Balancing Horror and Comedy

      April 19, 2019, 12:37 pm
      Just like director David F. Sandberg, editor Michel Aller came into Shazam! from the horror genre. But as odd a transition as that may seem, going from editing films like The Nun and Annabelle: Creation to editing this year’s most joyful superhero movie was pretty seamless for Aller.

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