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  • AOTG

    EditFest NY 2011 Confirms Page One Editor

    May 23, 2011, 10:20 am
    EditFest NY 2011 has confirmed editor Chad Beck as a panelist for this year's event. Some of Chad's work includes Inside Job, The Recruiter and Page One: A Year Inside The New York Times. For more information on this year's event go to www.editfestny.com.

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  • Other Postings By Member

    • AOTG
      VFX

      Global Animation & VFX Community Responds to COVID

      March 25, 2020, 1:16 pm
      Over the past few weeks, the animation and VFX industries have banded together to face the challenges we are all confronting in these difficult times. As businesses close and those who are employed transition to working from home, while schools cancel classes and whole families endure lockdown protocols around the world, companies and organizations from across many sectors of our industry are offering solutions and gestures of solidarity to consumers and professionals alike.

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    • AOTG
      VFX

      VES Calls On Employers To Let Staff Work From Home

      March 25, 2020, 1:16 pm
      Workplaces left and right are shutting down in order to contain the coronavirus outbreak. Yet the vfx industry is lagging behind. For a number of reasons, notably the constraints imposed by non-disclosure agreements (NDAs), many studios have yet to send all their staff home.

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    • AOTG
      EDITING

      NAB Show 2020 goes online, New York will be enhanc

      March 25, 2020, 1:16 pm
      The NAB leadership team had to make the difficult, but correct, decision to cancel the 2020 NAB Show in Las Vegas due to the Coronavirus. There were some in the industry hoping there would be a chance NAB could still happen, perhaps in the summer, but President and CEO Gordon Smith put that to rest by announcing NAB Show Express, an online version, while the New York edition in October will be ‘enhanced.’

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    • AOTG
      VFX

      Scanline VFX Successfully Converts Entire Global O

      March 25, 2020, 1:16 pm
      Scanline VFX has just shared with AWN that as of yesterday, all 650 of the company’s crew across their Los Angeles, Vancouver, Montreal, London, Munich, Stuttgart and Seoul studios, are working successfully from home, transforming them into a completely remote visual effects studio for the time being. The studio, known for its sophisticated photorealistic VFX and simulation capabilities, has worked on numerous film and TV projects, including Joker, Spider-Man: Far from Home and the final season of Game of Thrones, as well as Marvel’s upcoming Black Widow.

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    • AOTG
      EDITING

      Restoration of Super-8 films and Virtual Productio

      March 24, 2020, 7:40 pm
      GTC Digital, NVIDIA’s GPU Technology Conference, now online and FREE, offers a variety of recorded talks, podcasts, research posters, and demos to view on your own schedule, starting today.

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    • AOTG
      VFX

      LADY AND THE TRAMP: Robert Winter (VFX Supervisor)

      March 24, 2020, 7:40 pm
      Robert Winter began his career in visual effects in 1997 at Sony Pictures Imageworks. He has worked on films such as STARSHIP TROOPERS, HOLLOW MAN, HANCOCK and ALICE IN WONDERLAND. He then joined MPC in 2014 and took care of effects for films such as SUICIDE SQUAD and GODZILLA: KING OF THE MONSTERS. In 2018, he joins Framestore and works on LADY AND THE TRAMP.

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    • AOTG
      EDITING

      Frame.io Launches 'Work from Home' series to Help

      March 24, 2020, 4:01 pm
      NEW YORK CITY — Frame.io has launched a new “Workflow From Home” series, hosted by global SVP of innovation, Michael Cioni. The new video series was developed as a response to the COVID-19 outbreak and transition to home offices.

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    • AOTG
      VFX

      VES Releases Statement Supporting VFX Artists to W

      March 24, 2020, 4:01 pm
      The Visual Effects Society has issued a statement and resources in light of the ongoing COVID-19 crisis, urging VFX artists to work remotely and offering best practices for doing so.

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    • AOTG
      EDITING

      Goodbye Adobe Premiere, Hello Da Vinci Resolve

      March 24, 2020, 12:15 pm
      If you’re a video editor working on Adobe’s Premiere Pro, you’re probably well aware of all the frustrations that come with using Adobe’s answer to video editing daily. The sluggish playback, the generic error issues, random crashes, and in some cases corrupted project files. We’re all well aware of how bloated and buggy this once prized piece of software had become, especially as of late.

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    • AOTG
      VFX

      VES Issues Best Practices Guide, Urges Employers t

      March 24, 2020, 12:14 pm
      Organization calls on businesses to let employees work remotely as the fight against the coronavirus rages on; best practices guide designed to help VFX community adapt to at home workflows.

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