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  • AOTG

    In Review: AJA Kona 3G

    May 25, 2011, 8:23 am
    AJA is now shipping the latest update to its top of the line Kona series, the Kona 3G. Capitalizing on the power of the Kona 3, the Kona 3G adds 3Gb SDI input and output to match with the latest devices offering this high-speed SDI protocol. This is in addition to its earlier feature set of single or dual link HD-SDI inputs allowing up to 2K 4:4:4 HSDL.

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  • Other Postings By Member

    • Virginia Katz on Editing Beauty and the Beast
      EDITING

      Virginia Katz on Editing Beauty and the Beast

      December 22, 2017, 9:20 am
      Gordon Burkell and Virginia Katz sit down to talk about VFX, Editing, and Beauty and the Beast.

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    • AOTG
      VFX

      WONDER WOMAN: VFX Breakdown by UPP

      December 22, 2017, 6:56 am
      Another really cool VFX Breakdown by UPP, this time it’s about their work on WONDER WOMAN...

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    • AOTG
      VFX

      Blade Runner 2049 VFX Breakdown by UPP

      December 22, 2017, 6:56 am
      Universal Production Partners Here is the VFX breakdown about our work on Blade Runner 2049 by UPP.

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    • 'Jumanji: Welcome to the Jungle': More Than Just C
      VFX

      'Jumanji: Welcome to the Jungle': More Than Just C

      December 22, 2017, 6:56 am
      More than 20 years ago, Joe Johnston’s Jumanji delivered audiences a fun adventure story full of jungle animals, including those created with cg technologies that were still in their relative infancy.

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    • AOTG
      VFX

      2017 VFX Year In Review

      December 22, 2017, 6:56 am
      2017 was not all that much of an eventful year for software, unless you’re talking about 360° VR software. Here’s a look back at some major releases and trends in our microcosm.

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    • ART OF THE CUT on editing Mindhunter with Kirk Bax
      EDITING

      ART OF THE CUT on editing Mindhunter with Kirk Bax

      December 22, 2017, 6:56 am
      Mindhunter is one of those binge-able shows that has people talking. I spent a few days last summer at the Fincher production facility in LA where the show is cut and met one of the show’s editors, Tyler Nelson. One of the other editors on the series is Oscar-winner, Kirk Baxter, ACE, whom I interviewed previously for his work on Gone Girl. Both Gone Girl and Mindhunter were edited in Premiere Pro. (I was not able to talk to the third editor on the series, Byron Smith, who also cut the Netflix series, Altered Carbon.)

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    • AOTG
      EDITING

      In Depth - Ignite Pro from HitFilm by Kevin P. McA

      December 22, 2017, 6:55 am
      I wanted to follow up my review of HitFilm Pro 2017 with a look at the two products that come as part of the Studio bundle. In this article we’re going to look at Ignite Pro, which can be purchased as part of the Studio bundle or on its own for $199. Alright, here we go!

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    • The Great Sounds of ‘Bad Timing’
      SOUND

      The Great Sounds of ‘Bad Timing’

      December 22, 2017, 6:55 am
      irector Nicolas Roeg’s Bad Timing features a performance by Theresa Russell that is defined in large part through her voice. Co-starring with Art Garfunkel, there is a conflict of relationships and agency that is best distilled into the freedom of sound.

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    • The Last Jedi Editor Breaks Down That Holdo Scene
      EDITING

      The Last Jedi Editor Breaks Down That Holdo Scene

      December 22, 2017, 6:55 am
      If you’ve seen Star Wars: The Last Jedi, then you’re aware that writer/director Rian Johnson crafted a number of unforgettable sequences within the latest installment of the Star Wars franchise. This isn’t any old blockbuster, it’s Star Wars, and Johnson and his team appropriately set out to craft set pieces that wouldn’t easily be forgotten.

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    • AOTG
      VFX

      Guillermo Del Toro and the VFX of The Shape of Wat

      December 21, 2017, 10:25 am
      uillermo del Toro’s dark fantasy The Shape of Water made quite an impression — one might even call it a “splash” — when the first trailer for the film debuted in summer 2017 and finally revealed the mysterious project that has kept the filmmaker occupied the last few years.

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