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July 12, 2012, 12:36 pm
Around 2010, while preparing for a 31-city tour with Clay Blackmore and my business partner Jeff Medford, I discovered Tiffen Dfx post-production filters. To be honest, at first impression, I wasn't drawn to this system — I was pretty obsessed with Apple's Color, and doing color correction right inside Adobe Premiere.
August 23, 2011, 11:32 am
As part of our month long August give away, we have an interview with Niclas Bahn from Noise Industries, who donated FxFactory Pro for us to give to members of our community. We talked via email about their products and goals for future products.
April 29, 2011, 12:22 pm
The future of education in the field of film and television is going to be extremely interesting. I've been teaching film editing for a few years now and one thing that is constantly a problem is time. For example, in the class I am about to begin teaching Monday, I have a total of 42 hours to teach everything I can about post. Not just editing, not just sound, not just FX but everything! This includes technology, techniques and theories.
August 31, 2010, 1:16 pm
So, you’ve viewed The Arcade Fire video directed by Chris Milk and edited, yes edited, by Livio Sanchez. When I first viewed this music video my mouth fell to the floor, when I viewed it again I couldn’t help but think about Ronald Bergan’s biography about Sergei Eisenstein titled: Eisenstein: A Life in Conflict. In this book there is a brief an idea Eisenstein had about how viewers should view the screen.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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