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May 28, 2011, 6:03 pm
Here are a few gems from the pages for Adobe Premiere Pro and CUDA. Be sure to also check out this page on How to make Premiere Pro and After Effects faster.
October 17, 2017, 12:39 pm
Does it lie in the carefully executed plans of a film’s cast and crew? Or does the magic rest upon fortuitous mistakes, spontaneity and improvisation? What steps must be taken to convey your vision and intent? Watch our video series, Frame of Mind, to get answers to these questions and more from commentators working in a wide variety of areas in production who’ll guide you through clips from their films, in their own words. Moviemakers and film fans: Grab your notepads, popcorn, or both, and press play.
October 17, 2017, 12:39 pm
Spider-Man: Homecoming star Tom Holland trained tirelessly to do as many of his own stunts as possible, but some of them were just too epic to do live. In stepped the team at Imageworks VFX, who just released an incredible video giving us a glimpse at the film’s incredible CGI.
October 17, 2017, 9:20 am
In more than 20 years, Kendrick Wallace has produced the effects of many projects such as MAX PAYNE, THE A-TEAM, ABRAHAM LINCOLN: VAMPIRE HUNTER or INTO THE WOODS. He talks to us today about his work on IT.
October 17, 2017, 9:19 am
Women In VFX, a project sponsored by Charmaine Chan , offers a series of video interviews with women artists, producers, directors and technicians in London studios:
October 17, 2017, 9:19 am
As the freelance economy grows, its denizens want to revise popular understanding about the work they do. Or as Upwork CEO Stephane Kasriel puts it, “There is a feeling that freelancing is about driving Uber cars, and it’s not.”
October 17, 2017, 4:46 am
This is Allan McKay. Welcome to Episode 101 with Ben Snow, a VFX Supervisor at ILM. We just did Episode 100 (www.allanmckay.com/100/) and that was epic. Thank you for all of your emails! I always read all the emails, but it takes me a while to respond.
October 17, 2017, 4:46 am
Pixomondo presents their work on THE FATE OF THE FURIOUS in this short VFX Breakdown...
October 16, 2017, 12:57 pm
Gordon sits down with Lee Percy to discuss editing The Mountain Between Us.
October 16, 2017, 12:17 pm
The new Trident Z RGB memory kit from G.SKILL doubles the memory over the previous kit from the company, and marks a new milestone as the fastest 32GB RGB memory kit on the market.
October 16, 2017, 9:48 am
The annual Filmsupply Challenge is one of only a few we know of that specifically rewards editors, and those rewards are pretty sweet, including a complete pro edit bay. The contest itself is very straightforward: You download a free starter kit from the contest site, you are given access to free footage from Filmsupply and music from Musicbed, and you use those assets to create a 60-second spot in the categories of Ad Spec, Trailer, or Title Sequence.
Gordon sits down with Lee Percy to discuss editing The Mountain Between Us.
Lisa and Gordon discuss her career and approach to editing. ACE will have Lisa as part of their panels at the upcoming Edit ...
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
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