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  • The Secret of P2 Slating

    The Secret of P2 Slating

    July 14, 2009, 4:14 pm
    Yesterday I shot a political spot with Simon Sommerfeld, a friend who saved the day after I pitched the concept for this no-budget spot to an agency that then said, "We’ll take it—make it as fast as you can for no money."

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  • Other Postings By Member

    • AOTG
      EDITING

      AE Pixel Sorter 2 for AE

      October 17, 2018, 12:16 pm
      AE Pixel Sorter was the first tool to bring the pixel sorting glitch effect available for motion designers and video editors within After Effects. Experimenting with Pixel Sorting just became so much easier!

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    • AOTG
      VFX

      The Predator VFX Supervisor Interview

      October 17, 2018, 12:16 pm
      Matt Sloan began his career in visual effects in the early 2000s. He has worked on many projects such as DISTRICT 9, AVATAR, THE MARTIAN and MAZE RUNNER: THE DEATH CURE.

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    • LANDR and Mastering Your Cut's Audio
      SOUND

      LANDR and Mastering Your Cut's Audio

      October 17, 2018, 7:27 am
      Gordon sits down with Marcus Schioler, Antoine Rotondo, & Marc-André Ferguson to discuss the big announcement at Adobe Max that LANDR is now available in Premiere Pro!

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    • ILM’s Rob Bredow to Talk ‘Solo: A Star Wars St
      VFX

      ILM’s Rob Bredow to Talk ‘Solo: A Star Wars St

      October 17, 2018, 4:42 am
      Even before he was promoted to SVP, executive director and head of ILM in May, Rob Bredow was a very busy man. He joined Industrial Light & Magic in 2014 as a visual effects supervisor, then quickly rose up the ranks, helping to launch ILMxLAB in 2015 to develop and release immersive entertainment, moving into the chief technology officer role at Lucasfilm in 2016 and most recently serving as visual effects supervisor and co-producer of Disney’s “Solo: A Star Wars Story,” working alongside director Ron Howard.

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    • Spotlight – Armen Kevorkian
      VFX

      Spotlight – Armen Kevorkian

      October 17, 2018, 4:42 am
      To create cinematic illusions, you need conjurors. In this series of spotlight interviews, we ask movie magicians what makes them tick.

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    • AOTG
      EDITING

      Radeon Pro WX 8200: best workstation graphics perf

      October 16, 2018, 12:18 pm
      Created for real-time visualization, VR and photorealistic rendering, the Radeon Pro WX 8200 offers users the best workstation graphics performance for under $1000. $999, to be exact!

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    • AOTG
      EDITING

      Matrox Ships Maevex 6121 Dual 4K Enterprise Encode

      October 16, 2018, 12:18 pm
      The What: Matrox Graphics has announce that the Matrox Maevex 6120 dual 4K enterprise encoder appliance is now shipping. Leveraging the same capture and real-time encoding technology as the Matrox Maevex 6150 quad 4K encoder, Maevex 6120 delivers simultaneous dual 4K capture, stream, and record—with options to stream and record even more channels in different configurations—all on a standard one Gigabit Ethernet network.

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    • AOTG
      ANIMATION

      Why Stop Motion is Underrated

      October 16, 2018, 6:32 am
      These days, stop-motion films are few and far between, with Early Man and Isle of Dogs the only examples released within the last two years. This isn’t surprising. Stop-motion animation is incredibly tedious and difficult to produce, taking hours upon hours to build the sets and move each character motion-by-motion. Hand-drawn and computer-generated animation are far more preferable forms that allow filmmakers to do absolutely anything with ease.

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    • Photoshop for iPad due in 2019
      EDITING

      Photoshop for iPad due in 2019

      October 16, 2018, 6:32 am
      Adobe has released Photoshop CC 20.0, the latest version of the image-editing software, extending Content-Aware Fill, adding an InDesign-style Frame Tool, and making some long-awaited workflow changes.

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    • AOTG
      EDITING

      AJA Corvid Cards Drive Atlas-Fractal Media Servers

      October 16, 2018, 6:31 am
      (Grass Valley, CA--October 16, 2018) Technical specialists at Russia’s Innovative Television Systems (INTV) develop and manufacture graphics workstations, architect workflows, integrate systems and provide production support for special events. Founded in November 2008, the St. Petersburg-based company recently rolled out a powerful new media server, dubbed Atlas-Fractal, which leverages AJA’s Corvid 88 multi-stream, multi-format PCIe I/O card to play back video content on a videocube, giant LED screens and LED video perimeters in several major Russian sports stadiums and arenas.

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