Be a part of a unique online community that connects post production professionals and film academics worldwide.
You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.
September 12, 2010, 2:56 pm
Avid released a software version of DS. This will have all the features of a 'real DS' including HD, 2k, 4k, conforming and finishing. Anyone who has relied upon Avid's media management, conform, relink, decompose, consolidate, will have a respect for this software over any other. Even Smoke.
September 12, 2010, 11:59 am
AMSTERDAM – Cache-A’s (www.cache-a.com) Pro-Cache Library24 archive appliance debuted at the IBC show, simplifying the archiving of large projects for digital film, broadcast and video pros working with file-based workflows. The solution is a 24-slot automated library option for Pro-Cache5 and Pro-Cache4 archive appliances. It automates cartridge loading for archiving, restoring and cartridge spanning.
September 12, 2010, 11:58 am
According to Henrik Cednert, CTO & compositor, at Mekaniken, "Avid’s beta testing program really enabled us to gain an invaluable insight into the capabilities of the ISIS 5000 and how it would seamlessly fit into our production pipeline. We were really impressed with the flexibility, power and reliability of this storage system. When you work on the variety of projects that we do - which all require a fast turnaround - it’s vital that we have a storage solution that’s open, can meet the...
September 12, 2010, 11:57 am
AMSTERDAM - G-Technology by Hitachi (www.g-technology.com) has transitioned its entire G-Speed RAID external storage family to high-grade, enterprise-class hard drives. All G-Speed products will feature Hitachi Ultrastar drives, including G-Technology’s new four-bay G-Speed Q with a quad interface, and the 16-bay Fibre Channel G-Speed FC XL.
September 12, 2010, 11:56 am
AMSTERDAM - Matrox Graphics (www.matrox.com/graphics) is showing a variety of multi-display technologies at IBC2010, including a live demonstration of a 12-display workstation powered by an M9188 octal graphics card and M9148 quad card combination.
September 11, 2010, 6:17 pm
In the age of YouTube, making movies no longer seems complicated. With an expanding range of visual media and easy access to affordable camcorders and editing software, many can shoot and arrange scenes without a big crew.
September 11, 2010, 6:16 pm
It is often considered that necessity is the mother of invention. For the motion picture industry, that might be modified to read "Emerging technologies are the mother of invention." In other words, how we work, and the creativity that results from these endeavors, are highly dependent upon the palette of available picture editorial, sound editorial and re-recording mixing tools.
September 11, 2010, 6:15 pm
Working in 3-D literally add-ed a new dimension of difficulty for picture editorial on Resident Evil: Afterlife. During the post-production process, editor Niven Howie, visual effects editor Mark Herman and first assistant Ben Howdeshell discussed how they worked stereoscopically on the film with Editors Guild Magazine. Following are excerpts from that conversation.
September 11, 2010, 6:14 pm
I have always been envious of those who came to the business because of their love and passion for films. I was born into the film industry and didn’t appreciate my proximity. My father, Larry Heath, was a film editor. The studio was not a mythical place where movie magic happened. It was the place where my dad went to work. As a child, I would join him in the cutting room––more as a parenting responsibility than an opportunity for a father to pass on his craft. I enjoyed the special...
September 11, 2010, 6:13 pm
Why should a Final Cut editor even bother with this book?" asks Larry Jordan. "Does the world need another book on Adobe Photoshop or Apple Final Cut Studio?" Jordan, as the author of said book, responds to his own question in the affirmative. Why? Because editors have three essential goals. First is to complete projects on deadline and on budget. Second is to produce quality work that meets the client’s specifications. Third, and not least of all, is to keep the work interesting for...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
Bill Curso is a makeup artist with thirty plus years under his belt, he’s got three Oscar nominations with one win, fiv ...
Choose what Post News gets sent directly to your E-Mail, daily or weekly.
Get your post news on your favourite Apple device, when you want it where you want it.
Get your post news on your favourite Android device with the AOTG Android App.