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June 8, 2011, 10:12 am
If people want to understand what motion picture making is really about then they have to understand editing. So directing with an editor's eye is taking the perception of directing knowing exactly how you are going to edit and we will discuss the tricks of the trade, what makes a good edit, what makes a good direction, what makes a good performance - there are all little things we do in the editing room so that's it in a nutshell.
March 2, 2013, 8:28 am
(In Spanish) Last Tuesday, February 12th, was the launching date of Grazia's first issue in Spain. The event took place in Circo Price (Madrid). An openning ceremony was organised and that's where we came in (20 screens in upright position). Technically, it was a complicated project, a challenge for yours truly. I've heard that the outcome was satisfactory...
February 16, 2013, 4:09 pm
Blancanieves –a Spanish, black and white, silent film– is an original version of the Grimm Brothers fairy tale ‘Snow White’. The film crew has managed to push through the idea of Pablo Berger, director, and screenwriter with a laudable result. Aesthetically, this film redeems black and white cinema, to a certain extent, but that is only a part.
February 14, 2013, 7:16 am
Picking the BAFTA for Best Editing, and words in the press room: Regarding Zero Thirty Dartk, in this video we have the two assemblers (Goldenberg and Tichenor), production designer and sound designer: More interesting links on assembling these two projects: - about Zero Dark Thirty workflow: www.btlnews.com ...-Interviews and assembly aspects Zero Dark Thirty...
January 25, 2013, 9:03 am
Samsara is the latest documentary by Ron Fricke, director of Baraka. It is an interesting and spectacular bet that tour the world and human misery-all five continents in hours and forty-five minutes. The picture is accompanied by dramatic music composed by Michael Stearns, Lisa Gerrard and Marcello De Francisci turn that for a spectacular show performed by the director and Mark Magidson, also co-writer and producer of the film. Both also worked well in Baraka.
January 23, 2013, 2:34 pm
Craig McKay is one of the editors of the film, along with Reynald Bertrand, built, in his words, in the editing room. This entry is the appetizer for the following translation I am preparing What do you have to do? That is an interview with an editor of a documentary without dialogue. Enough said. Well, come on, say that the documentary is the host, which is the last I've seen and that the interview is a real source of knowledge. For now, I leave you with babies, it's very funny...
January 5, 2013, 4:14 pm
Transcript and note emotional words too.(Good) detective example: let the story be told with the material that you have.Cut sound first than picture unless you edit something very visual.Let the sound tell the story.Rearrange your material. 'Don't make your viewers make any work' (a lot of distractions these days).MNN Seminar recorded on Wed May 9th 2012
Jody McVeigh-Schultz and Lane Farnham discuss tackling HBO's documentary series McMillion$, a series that explores the f ...
Gordon sits down with cinematographer James Kniest to discuss his work on The Haunting of Bly Manor. Including hiding people ...
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her work on the hit Netflix ...
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