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June 8, 2011, 10:12 am
If people want to understand what motion picture making is really about then they have to understand editing. So directing with an editor's eye is taking the perception of directing knowing exactly how you are going to edit and we will discuss the tricks of the trade, what makes a good edit, what makes a good direction, what makes a good performance - there are all little things we do in the editing room so that's it in a nutshell.
November 18, 2013, 5:34 am
Ha llegado la hora de escoger las mejores ediciones que se han presentado al 90to5 Editing Challenge 2013. Tienes que pasarlo bien viendo el trabajo de tantos editores 90to5 y ayudarles, así, a conseguir el Premio del Público. Entra en el siguiente enlace para ver todas las ediciones que se han presentado este año:YOU PICK!
September 19, 2013, 1:51 pm
I love this kind of transition. So, if you too, take a look at this: http://nofilmschool.com/2013/08/history-an-evolution-of-the-dissolve/ ––– Me encanta este tipo de transición, así que si a ti también, lee esto (en inglés); http://nofilmschool.com/2013/08/history-an-evolution-of-the-dissolve/
August 26, 2013, 4:34 am
Experiment with space and time of the material of the film Jeanne Dielman, directed by Chantal Akerman. The piece created and was published in this blog, but its recognition in various festivals and persistence of it in my memory did you launch the following questions to Fernando.
August 18, 2013, 8:45 am
"If you do documentary you're just absorving a real world. In a way it's more risky [than fiction] because the only way you can come back and take possesion is in the editing room."MASTERCLASS: http://www.bfi.org.uk/live/video/90 Si haces documentales, estas absorbiendo el mundo real. En cierto modo es mas arriesgado [que la ficcion] porque la unica manera de tomar el control y volver atras es en la sala de montaje
August 6, 2013, 11:35 am
August 2, 2013, 7:26 pm
Lucky in Cannes, luck can give American director Jim Jarmusch film in exquisite Only lovers left alive. He is responsible for the smooth rhythm that metaphysics vampire love story, filmed by the director of Broken Flowers, has until the end, without falling into monotony even a second. His star began to shine La Croisette in 2012, when the long Beasts of the Southern Wild, by Benh Zeitin, left here with four awards.
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her work on the hit Netflix ...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work on the Marvelous Mrs. ...
Gordon sits down with Wade Barnett(Supervising Sound Editor) and David Barbee (Sound Designer) to discuss their work on Amazo ...
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