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  • AOTG

    Los Angeles Final Cut Pro User Group Meets Tonight

    June 8, 2011, 3:33 pm
    You've seen the Supermeet sneak peek; you've heard Larry Jordan tell what we know about Final Cut Pro X, now hear Philip Hodgetts' expose of what we don't know! Want to know about the technology, project format, plug-ins and much of the rest of what Apple hasn't announced yet? Philip has been researching and writing about what Apple has been up to with Final Cut Pro X for the last year or more, and has been "scary accurate." Know what you need to know before you download FCPX.

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  • Other Postings By Member

    • HHB wins Avid top reseller award for 2016
      SOUND

      HHB wins Avid top reseller award for 2016

      May 22, 2017, 3:43 am
      HHB Communications and its Soho-based, post-focused division Scrub have been named Avid’s EMEA Audio Top Channel Partner for 2016.

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    • Nugen previews Ambisonic outputs for Halo Upmix
      SOUND

      Nugen previews Ambisonic outputs for Halo Upmix

      May 22, 2017, 3:42 am
      Nugen Audio is previewing a significant technological update for its award-winning Halo Upmix plugin at AES Berlin.

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    • AOTG
      EDITING

      How to Edit a Film Score to Best Serve Your Story

      May 22, 2017, 3:42 am
      In most cases, indie filmmakers don't have the budget to hire someone to score their films. This means that you miss out on the benefit of having a score specifically designed to match what's going on up on screen, so you will have to figure out a way to do it with a piece of music that already exists. Though this is challenging, Kris Truini gives you a few helpful tips on how to pull it off, even if you don't have much experience working with music, scores, and soundtracks.

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    • AOTG
      EDITING

      FCPX Vs. Premiere Pro CC

      May 22, 2017, 3:42 am
      There are many polarizing debates in the world of technology and video editing, and software is no exception. Final Cut Pro X and Adobe Premiere Pro are some of the most popular tools for the job and therefore both have their diehard fans. But if you want to make an objective decision about which to use yourself, what are some factors you should consider?

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    • ‘Alien: Covenant’ VFX Team Hatches New Neomorp
      VFX

      ‘Alien: Covenant’ VFX Team Hatches New Neomorp

      May 21, 2017, 2:23 pm
      As Ridley Scott’s Alien: Covenant from Fox debuted to $36 million at the North American box office, the film’s visual effects supervisor Charley Henley of lead VFX house MPC says his first meeting with the director was "fairly overwhelming, he has a lot of art and you could see the scale of the film.

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    • RTS Futures - VFX & Animation: Meet the Experts
      VFX

      RTS Futures - VFX & Animation: Meet the Experts

      May 21, 2017, 2:23 pm
      Dive into the world of VFX and animation as we take you into the minds of our experienced panellists, including Alex Donne-Johnson, Creative Director at motion design studio Dazzle Ship, responsible for creating video for branding, broadcast, online and installations and Pete Allinson, Head of Design at multi-award winning broadcaster UKTV, the home of TV channels such as Dave and GOLD.

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    • AOTG
      VFX

      Female VFX Pioneers

      May 21, 2017, 5:29 am
      In 1989, I was a young feminist who wanted to be a filmmaker. While there weren’t many women in this fairly “boys club” field, Academy Award winner Ed Jones hired me in Optical because he knew I could do the job. Approximately 25 people worked in the ILM optical department. The few women in this department – Peg Hunter, Lori Nelson, Mary Walter, and me – were effects pioneers in a male world.

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    • AOTG
      VFX

      The Shallows VFX Breakdown

      May 20, 2017, 4:57 am
      Benuts VFX presents The Shallows VFX Breakdown.

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    • AOTG
      VFX

      Ben-Hur VFX Breakdown

      May 20, 2017, 4:57 am
      CGF presents Ben-Hur VFX Breakdown.

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    • AOTG
      EDITING

      5 Things That All Great Demo Reels Have

      May 20, 2017, 4:57 am
      We're so fortunate as filmmakers to work in an industry that doesn't require a formal education, but like all other professions, we must prove to our potential employers and collaborators that we are capable of doing the job we want to be hired to do.

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