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June 16, 2011, 10:37 am
If this were a political news outlet I'd be obliged to give both parties in the Adobe-Apple 2012 "election" equal time, and so after the news that Apple will release Final Cut Pro X next week, let's follow it up with a look at Adobe's professional video plans. Here’s Adobe's Jim Guerard, vice president and general manager of Professional Video, contextualizing and explaining Adobe's vision for the future:
May 14, 2018, 4:55 pm
Paul Story began his career in visual effects in 1996 at Weta Digital. He works on many films such as THE LORD OF THE RINGS trilogy, AVATAR, DAWN OF THE PLANET OF THE APES and THE JUNGLE BOOK.
May 10, 2018, 4:26 pm
HitFilm Express is one of the best entry level visual effects tools a filmmaker can use to cut their teeth on. It’s very powerful, and can do just about anything the big boy visual effects apps like After Effects can do. And what I really like about them, is every time a blockbuster film like Avengers: Infinity War comes out, you can bet that HitFilm is going to come out with a new tutorial on how to create the same kind of visual effects.
May 10, 2018, 4:26 pm
In this course, you will learn everything you need to know to get started with ColourLab and how to get the most out of this plugin for look development in Davinci Resolve. You will learn the installation and activation process, the very important color science behind the plugin, and what makes it different.This course covers everything you need to know about RED’s new colour science – the IPP2 – which offers dramatic improvements in camera performance and image quality. This is a quick and simple course and you don’t need to be a colour scientist to understand it.
Gordon Burkell sits down to talk Punk Rock, documentary editing and directing with Shaun Colon. Check out his film A Fat Wrec ...
Gordon Burkell sits down with Tristan Oliver to discuss his work on Isle of Dogs for Wes Anderson.
Gordon Burkell sits down with Joe Letteri to discuss his Oscar-nominated work on War for the Planet of the Apes.
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