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June 30, 2011, 10:39 am
Imation’s new RDX A8 system – a scalable networked storage device that holds up to eight removable cartridges providing up to 8 TB of data – perfect for many large data applications in film editing, content archival, asset management and data archiving and storage.
July 10, 2009, 4:08 pm
Demonstration of the future of film editing.
July 9, 2009, 4:04 pm
"3-D is easy. Just remember to do everything––perfectly––twice," jokes picture editor Ed W. Marsh. At the Producers Guild of America’s recent "Produced By" event, a visionary imaging and entertainment conference held at Sony Pictures Studios in June, Marsh joined a panel of 3-D experts representing every step of the stereoscopic workflow. The panel, titled "A New Dimension," offered a wealth of advice for 3-D producers on team-building, as well as demos of products and techniques...
July 9, 2009, 4:04 pm
A Classifieds section has been added. We've received many emails about posting things directly onto the Art of the Guillotine Main Page. Instead we revived the classifieds section. If you want to buy something, sell something, look for work, post a job etc. You can do it there. Realize we are not responsible for what is posted there and who contacts you.
July 8, 2009, 4:01 pm
For a film editor it is a cause for frequent amusement and/or irritation, that film reviewers are never able to point out the editor's contribution. If a film is described as very effectively cut but otherwise long and boring, the editor knows that the film may have contained conspicuous transitions of scenes that were invented during the shooting or in the scriptwriting, but that the editing was ineffective or even sloppy.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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