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July 1, 2011, 10:03 am
If you are in the post-production world, you know an assistant editor. It would be impossible not to know one. It would be the equivalent of living without oxygen. It can't be done and you don't know any one who can. Let me rephrase that. Any person just in case there is some organism out [...]
September 27, 2011, 2:31 pm
You finally have the hang of this multigrouping business, don't you? You have been syncing and all of those audio waveforms are nicely in sync. You zoom out from your last sync point to take a look at your sequence as a whole and see a whole bunch of numbers at the end of all...
September 20, 2011, 3:53 pm
I was a born multitasker. Coming out of the womb I was kicking, screaming and crying all at the same time. I don't know what you call a predisposition to do something but I call that one pretty big one for multitasking. A little bit older, bigger, wiser and no longer in diapers, I can't...
September 14, 2011, 12:29 pm
You will need to access the Command Palette for this one. Navigate to the MCam tab and map the Quad Split or Nine Split functions to either your keyboard or workspace. (If you don't know how, check out this blog on how to map from the Command Palette. Double click on a multigroup and press...
September 7, 2011, 2:34 pm
Let's start with what Match Frame is. When you press Match Frame in your sequence, (Command Palette | Other Tab) that exact frame from that clip will load in your source monitor (depending on what track is selected). You use Reverse Match Frame (Command Palette | Other Tab) when you are trying to determine if...
September 1, 2011, 4:11 pm
As many of you know, for the past 2 and a half years I have been working on a little book called The Avid Assistant Editor's Handbook. It started out as a small project but the more I learned about what goes into writing a book, the larger it got (much to my own dismay!).
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
Bill Curso is a makeup artist with thirty plus years under his belt, he’s got three Oscar nominations with one win, fiv ...
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