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August 21, 2009, 5:54 pm
In early August, the American Cinema Editors (ACE) held its second annual EditFest Los Angeles at the Universal Studiuos lot in Universal City. From documentary to comedy and from to television to narrative features, this was a rare opportunity for people to hear editors discuss the art, craft, and process of editing. Following are some of the highlights of several of the panel discussions:
May 18, 2010, 4:38 pm
EditFest NY confirms editor David Salter as a panelist for this year's event. Some of David's work includes Toy Story 2 and Finding Nemo. To find out more on this year's event go to www.editfestny.com.
May 18, 2010, 4:35 pm
The DV Show dropped a great post over the weekend that answered a question from one of their readers: "I’m looking for some plugins or tools to enhance my productions. I mainly use Final Cut Pro and was wondering if there are any free or low cost alternatives to make my videos look better."
May 17, 2010, 4:33 pm
An in-depth discussion about DaVinci Resolve on the Mac: what this means for the world of color correction, different options offered in the DaVinci range, key features which DaVinci offers and the Blackmagic strategy for making high-end tools affordable and within reach of everyone.
May 17, 2010, 4:33 pm
Due to my work schedule, I did not attend the NAB convention in Las Vegas this year. Which, as it turns out, is a pity, because it was probably one of the most interesting gatherings in quite some time. Lots of interesting announcements on various fronts, involving some of the more significant players in our business, including Arri (with the Alexa camera line),
May 17, 2010, 4:32 pm
I’ve been a bit busy lately, both personally and professionally, which has resulted in a bit of time between posts. Personally, I moved (from Woodland Hills, in the San Fernando Valley, to Playa Vista, near Marina Del Rey) about 3 weeks ago. This represents a kind of homecoming for me, only a year after coming home from a few years in Florida, as I lived in the Marina on and off for almost 10 years.
May 16, 2010, 4:31 pm
Andrew Weisblum was the perfect choice when director Darren Aronofsky needed a "hungry editor" for his reality-based film The Wrestler. After 13 years of assisting, primarily in New York, Weisblum had only edited a handful of features (including The Darjeeling Unlimited and Broken English). The pair had met when Weisblum was visual effects editor on Aronofsky’s last film, The Fountain.
Paul Leonard-Morgan joins Gordon Burkell to discuss composing with Philip Glass for Amazon's Tales from the Loop.
Celia Haining, editor of The Crown, joins Gordon Burkell to discuss editing for story.
The filmmakeru.com team explores the history of color in film in our series Birth of an Art. From coloring in single frames ...
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