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  • Odds in Favor of Trapcode

    Odds in Favor of Trapcode

    July 13, 2011, 3:23 pm
    With over fifteen years of postproduction experience to his credit, Compositor, Motion Graphics and Visual Effects Artist, Owain Street has lent his creative expertise to numerous commercials and title sequences for broadcast TV.

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  • Other Postings By Member

    • AOTG
      SOUND

      4 Tips for better audio on set

      August 5, 2018, 9:22 am
      What does it take to record pro-quality sound while shooting on location? Sure, you need a decent microphone (that's kind of a given), but what are some essential techniques that you can put into practice today that will not only give you audio that sounds good but also sound that is dimensional and works well with your story? In this video, Aputure's Ted Sim talks with Location Sound Mixer Andrew Jones about how to record better audio for films, videos, and other cinematic projects.

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    • AOTG
      VFX

      Cloud-Based VFX Budgeting Tool Curó to Debut at S

      August 5, 2018, 9:21 am
      LOS ANGELES -- Designed to simplify visual effects budgeting from script to screen, new secure, web-based application, Curó, will be showcased at SIGGRAPH 2018 in Vancouver. Having undergone rigorous development and beta testing, Curó creates a unified system for creation, planning and management of VFX budgets for projects of any scale, from the Hollywood blockbuster to independent film or television, and everything in between.

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    • ART OF THE CUT with "The Spy Who Dumped Me"
      EDITING

      ART OF THE CUT with "The Spy Who Dumped Me"

      August 4, 2018, 8:44 am
      Jonathan Schwartz has been editing for the last decade, including as assistant editor on It’s Complicated, and as the editor on Allegiance, Let’s Be Cops and Mike and Dave Need Wedding Dates. He also edited two seasons of the hit comedy, Modern Family.

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    • AOTG
      SOUND

      Have you seen the low latency Pro Tools Monitor?

      August 4, 2018, 8:44 am
      The release of Pro Tools 2018.7 has brought several new features which are mostly aimed at speeding up workflow in cases where an action had to be done over and over again but there was one feature at the bottom of the list which caught my attention and once I'd investigated it I wondered why it wasn't at the top of the list.

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    • AOTG
      VFX

      Looking for VFX Inspiration

      August 4, 2018, 8:44 am
      I go to a few different VFX and animation industry events each year, but here’s a little secret about Trojan Horse was a Unicorn that I found out on the first day of the first year I went there: It is one of the only events designed to help artists find their place in the world.

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    • AOTG
      EDITING

      Freebie Friday

      August 3, 2018, 12:20 pm
      In this tutorial from Greyscalegorilla learn how to create and animate 3D text in After Effects without any plugins. Download the free project file and follow along.

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    • The new ScreenFlow 8.0 video editing and screen re
      EDITING

      The new ScreenFlow 8.0 video editing and screen re

      August 3, 2018, 9:35 am
      Designed for a wide range of users, from vloggers to aspiring video producers, ScreenFlow makes it easy to create anything from home movies to professional video.

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    • How the '2001' Opening Title Sequence Musically Su
      EDITING

      How the '2001' Opening Title Sequence Musically Su

      August 3, 2018, 5:58 am
      As film evolves through format and structure, with filmmakers always looking for that fresh new angle to present to audiences, some things get left behind. Enter the main title sequence, for so long the traditional beginning of the film but now often relegated to the end, along with its music. But are we missing something from that?

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    • AOTG
      VFX

      VIEW Conference 2018: the VFX speakers

      August 3, 2018, 5:57 am
      For the 6th years in a row, The Art of VFX is proud to be media partner of VIEW Conference!

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    • AOTG
      EDITING

      iMac Pro is the most powerful iMac there's ever be

      August 3, 2018, 5:57 am
      At the start of the year, the creative shop where I edit picked up three iMac Pros to upgrade our systems. In the past seven months, the iMac Pros have proven to be workhorses, running Premiere Pro, After Effects, and DaVinci Resolve with ease. Underneath its appealing, all-in-one, space grey enclosure, the iMac Pro delivers serious performance.

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