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January 22, 2010, 8:12 am
The British Academy of Film and Television Arts (BAFTA) recently announced the nominations for its 2010 Orange British Academy Film Awards, and there are some familiar names and titles on the list, at least for anyone who has been following the post-production nominees from the various organizations that hand out annual awards.
January 22, 2010, 8:12 am
Ever on an editing system that you can’t install software on? And all they’ve got for image manipulation is MS Paint? Get stuff done with portable applications that run off your USB flash drive! Examples include GIMP, an open-source Photoshop clone, and Songbird, an iTunes-like music player.
January 21, 2010, 8:11 am
O'Steen and Squyres will be discussing the art of film editing on Wednesday Feb. 10, 2010 at 7PM. It will take place in New York at 200 Hudson Street. Squyres will analyze his unique editing process as well as discuss the experience of working with the visionary director, Robert Altman.
January 20, 2010, 8:08 am
On January 10, one day after receiving the Editors Guild’s Fellowship and Service Award from director Lawrence Kasdan, editor Carol Littleton, A.C.E. treated her fans to a screening of Kasdan’s debut film, Body Heat, the first of her eight collaborations with the director. The talk and screening, held at the Billy Wilder Theatre at the Armand Hammer Center in Westwood, was presented by moderator and author Bobbie O’Steen and organized by American Cinema Editors president Randy Roberts, A.C.E...
January 19, 2010, 12:47 pm
Here's part one of my interview with Steven Rosenblum editor of Braveheart, Defiance and Blood Diamond. In this part we discuss working with directors and working on rhythms.
January 19, 2010, 8:08 am
A couple of years ago, I had the privilege of working with industry-renown editor, Michael Buday, as he was bringing to market a very unique and innovative app for collaborative review and approval. I was first introduced to him thru a mutual friend and client at Siggraph Boston.
January 18, 2010, 8:07 am
My current project is a feature documentary with about one hundred hours of footage, all completely tapeless. We have P2 media from hard-drives, originally shot on the HVX-200A and HPX-500, along with quicktime files shot on the Canon 5D. It sucked, not because the hardware and software couldn't handle it, but because no one on the project (including me) knew how to adjust our tape-based sensibilities into a tapeless environment.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
Gordon Burkell sits down with Bill Turro to talk about the editing of GLOW on Netflix. This is the first in a three-part seri ...
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