Be a part of a unique online community that connects post production professionals and film academics worldwide.
You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.
July 19, 2011, 9:47 am
NEW WORKSHOPS!! The C.C.E. is proud to announce a new series of workshops in a new location. We are very grateful to Carbon Computing in Toronto for being host to these new workshops and for becoming the C.C.E.'s latest Industry Sponsor (the workshops will continue to be organized and managed by Gordon Burkell). For Details...
August 19, 2009, 3:47 pm
The protagonist walks into a room, ready to pick a fight with the bad guy and save the world (or some damsel in distress). The moment is akin to the last level of an old video game, where the mega-boss stands 5 inches in front of your character on the screen then laughs as the controller freezes— preventing you from moving your character to attack the boss. Suddenly, the rest of the boss’ lackeys pour out from every orifice in the room and threaten to take our hero out. He’s outnumbered 20 to 1... how is he going to get out of this one? Well, thanks to the magic of movie editing (and some nice choreography) he can beat an impossible amount of attackers all by himself!
August 5, 2009, 12:24 pm
To kick off the first post for the Edit Decision List, I thought it would be fitting to choose a topic that relies on one of the most fundamental techniques in editing film: building tension. There are many places for using this technique, but it is in its most blatant use in the Western Standoff. Therefore here is The Top 5 American Western Standoffs based on editing.
July 17, 2009, 12:32 pm
I just recently finished compositing some shots for a live-action Disney DVD film (soon to come) involving talking animals. This is the first time that I’ve really done anything like that, and although I wasn’t editing, I could appreciate how difficult it can be to edit a film with animal actors as I saw the shots come in. And it’s difficult regardless of if they have moving mouths or not. Animals aren’t really "acting" on their free will as humans do, so discerning which take is the best has to with a mixture of the action being performed properly (pun intended) as well as juxtaposing the action with another action to convey an accurate sense of emotion, which 95% of animals (arguably) don’t naturally exhibit.
March 24, 2007, 10:26 pm
Nina is an editor from San Francisco who now works out of Vancouver. She won a NAFTA Student Emmy in High School and ever since she has been working towards a non-student major award. If you have a topic idea, movie suggestion, or want to disagree with Nina, then she wants to hear it! Email Nina at: firstname.lastname@example.org
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
Choose what Post News gets sent directly to your E-Mail, daily or weekly.
Get your post news on your favourite Apple device, when you want it where you want it.
Get your post news on your favourite Android device with the AOTG Android App.