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  • Singular Software | Presto Review

    Singular Software | Presto Review

    July 27, 2011, 3:07 pm
    I once produced a video recording of a software demonstration. To do it, I set up one video camera recording the projected demo, and another to record the presenter. Once that was recorded, I imported the two video tracks, synched them up - which was not that difficult - and then spent a lot of time finessing the whole thing together.

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  • Other Postings By Member

    • AOTG
      EDITING

      6 Things to Negotiate for as a Freelancer

      January 21, 2018, 8:06 am
      When business professionals do well at their jobs, they get to negotiate for a higher salary at their next review.

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    • Mark Burnett and Nick Emerson on Editing Aubrey Pl
      SOUND

      Mark Burnett and Nick Emerson on Editing Aubrey Pl

      January 20, 2018, 6:57 am
      Writer/director Jim Hosking premiered his short Renegades at Sundance in 2010 and returned to the festival in 2016 with his debut feature The Greasy Strangler. His second feature, An Evening with Beverly Luff Lin, premieres in the NEXT program at Sundance 2018. Luff Lin unites Hosking with a cast of comedy luminaries: Aubrey Plaza, Jemaine Clement and Craig Robinson, among others. The film was edited by Mark Burnett, who also edited Greasy Strangler, and Nick Emerson (Lady Macbeth, Starred Up). Filmmaker spoke with the film’s editing team about the film’s tricky tone, which teeters between absurdist and romantic comedy, ahead of Luff Lin‘s premiere at Sundance.

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    • 6 sound stories worth reading: Crowd recording, in
      EDITING

      6 sound stories worth reading: Crowd recording, in

      January 20, 2018, 6:57 am
      It's time for another roundup of the interesting audio stories you can find from our audio communities. In this recap, you can learn about creating the demanding sound design of Detroit, designing the sound of Coco, and complex soundscapes with Sound Particles. You can also read thoughts about running an ideal indie studio, living a day without sound, and approaching the sound for a level of Call of Duty: Infinite Warfare. Happy reading!

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    • AOTG
      VFX

      TOTAL WAR: THREE KINGDOMS

      January 19, 2018, 10:38 am
      Have a look at this beautiful cinematic created by Platige Image for TOTAL WAR – THREE KINGDOMS...

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    • THE LEISURE SEEKER: VFX Breakdown
      VFX

      THE LEISURE SEEKER: VFX Breakdown

      January 19, 2018, 7:05 am
      Italian studio Effetti Digitali Italiani (EDI) presents their VFX work on THE LEISURE SEEKER...

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    • AOTG
      SOUND

      Mixing in Pro Tools Pt 2

      January 19, 2018, 7:05 am
      In this free video tutorial for Pro Tools Expert, Technical Editor James Ivey continues this demonstration of his mix process in Pro Tools.

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    • The Orville VFX Breakdown
      VFX

      The Orville VFX Breakdown

      January 19, 2018, 7:05 am
      Eight VFX – Seth Macfarlane’s The Orville VFX Breakdown.

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    • AOTG
      SOUND

      The C|24 Pro Tools Control Surface is 10 Years Old

      January 19, 2018, 7:05 am
      Ten years ago Digidesign discontinued the popular Control|24 Pro Tools control surface. The Control|24 was launched in 2001...

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    • Oscars 2018: Final Predictions in All 24 Academy C
      EDITING

      Oscars 2018: Final Predictions in All 24 Academy C

      January 18, 2018, 1:45 pm
      On Tuesday, Jan. 23, the Academy of Motion Picture Arts and Sciences will unveil nominations for the 90th annual Oscars. It’s been a season marked, refreshingly, by a lack of frontrunners in most major categories. Combined with an extended phase two this year (thanks to the Winter Olympics), it ought to make for a spirited sprint to the finish line after the races are firmed up next week.

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    • JUMANJI - WELCOME TO THE JUNGLE: Glenn Melenhorst
      VFX

      JUMANJI - WELCOME TO THE JUNGLE: Glenn Melenhorst

      January 18, 2018, 11:22 am
      In 2016, Glenn Melenhorst explained the Iloura’s work on the 6th season of GAME OF THRONES. He then worked on the 7th season and on OUTCAST and JOHN WICK: CHAPTER 2.

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