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  • AOTG

    Avid Introduces Sibelius 7

    July 29, 2011, 9:40 am
    The latest generation of the world’s best-selling music notation software — is designed to meet the demands of top composers, arrangers, and publishers, allowing them to work quickly with the intuitive, task-oriented user interface.

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  • Other Postings By Member

    • Rebranding
      EDITING

      Rebranding

      June 6, 2010, 5:45 pm
      As my website is not pretty solidly devoted to video post-production I’ve decided I’m going to rebrand it a little to be more clear. As a part of thing change I’m also hoping to keep this site updated a lot more regularly.

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    • Media Composer 5.0 with R3D Media
      EDITING

      Media Composer 5.0 with R3D Media

      June 6, 2010, 5:45 pm
      Yesterday I posted a very brief summary of the workflow for Canon DSLR clips in Avid Media Composer 5.0, today I am following it up with the same demonstation for R3D media from the RED One camera.

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    • Grind those EOS Files!
      EDITING

      Grind those EOS Files!

      June 6, 2010, 5:44 pm
      I have a love/hate relationship with Apple Compressor and am always on the lookout for better encoding tools. Part of our new file-based world is the regular need to process/convert/transcode native acquisition formats. This is especially true of the latest crop of HDSLRs, like the Canon EOS 5D Mark II and its various siblings.

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    • Avid MC5 in a DSLR World
      EDITING

      Avid MC5 in a DSLR World

      June 5, 2010, 5:43 pm
      A few weeks ago I wrote a post called Avid Media Composer in a DSLR World which detailed the various workflow options for working with DSLR media (mainly from Canon’s insanely popular 5D and it’s siblings). In that post I mentioned that the upcoming Media Composer 5 would change it all, and it really has, so here’s the update...

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    • In The Studio: Grass Valley Edius
      EDITING

      In The Studio: Grass Valley Edius

      June 5, 2010, 5:42 pm
      As your editing workflow slow because you are shooting with DSLR or AVCHD cameras? Do you ever feel like your NLE is fighting you instead of working with you? I have heard complaints about instability, crashes, unresponsiveness, rendering, and transcoding, and the list goes on and on.

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    • When is a Spec a Good Idea?
      EDITING

      When is a Spec a Good Idea?

      June 4, 2010, 5:41 pm
      Taking on a spec piece can be really troubling. It can also be rewarding. I find it really awkward. I’ve only had a few decent experiences with spec ads that have led to more work or a better relationship. I’m not going to tell you whether to accept them or to not, but I will give you a few experiences I’ve passed through since graduating college.

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    • Avid Screencast 31 - Curtain Transition
      EDITING

      Avid Screencast 31 - Curtain Transition

      June 4, 2010, 5:40 pm
      This week’s episode features a request from Youtube user Instantslugger, who wanted to know how to do a curtain transition within Media Composer.

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    • The Week of Anticipation
      EDITING

      The Week of Anticipation

      June 3, 2010, 5:39 pm
      In a week I will be downloading Avid Media Composer 5.0. I’ve been delaying all edits of H.264 files. I have a batch of XDCAM files ready to test. I already have a client convinced we will use Avid on the next...

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    • AOTG
      EDITING

      Cutting on Emotion

      June 3, 2010, 5:38 pm
      On any career path there’s getting started, and then there’s getting started right. Imagine you’re a young film editor named Michael R. Miller, you’re looking to get a foothold in feature films, and like anyone just starting out in his chosen field you’re probably willing to take almost any job for the experience and the typeface on your CV. But you are Michael R. Miller, and one of your first jobs isn’t greasing the gears...

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    • Adobe CS5 and nVidia: First Impression Pt 2.1
      EDITING

      Adobe CS5 and nVidia: First Impression Pt 2.1

      June 3, 2010, 5:38 pm
      The other thing I really miss is having a dedicated video output from the computer to a video monitor.... nVidia press contacts say the only way to use a second monitor for the Program output is to tear the Program monitor off the Premiere Pro program and maximize it on the second monitor

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