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July 29, 2011, 9:40 am
The latest generation of the world’s best-selling music notation software — is designed to meet the demands of top composers, arrangers, and publishers, allowing them to work quickly with the intuitive, task-oriented user interface.
January 4, 2010, 7:18 am
The AJA Ki Pro is a dedicated video recording device. You can use it on set like you would any 4:2:2 deck, connect it to editing software, like Final Cut, or even crash record direct to file. The thing to consider about this device is that it is recording a 4:2:2 video signal directly to a hard drive as Apple Pro Res QuickTime movies...
January 4, 2010, 7:17 am
Mac Video's Year in review featuring: Claudio von Planta - War Cameraman/Journalist; Jonathan Walls- Co-Director/Editor; Lenny Lipton - Independent Filmmaker; Michael Wohl - original Final Cut Pro Development Team; Vaughan Smith - War Cameraman/Journalist; Walter Murch - Feature Film Editor; Tom Ohanian - Founding team Avid Technology; Jerry Hofmann - Digital Video Pioneer; Ramy Katrib - CEO and Founder, DigitalFilm Tree; The Ken Stone Sessions (part 1).
January 3, 2010, 7:17 am
In 2005, director Christopher Nolan (Memento, Insomnia) gave an edgy new twist to the Batman franchise with his gritty, realistic Batman Begins. His latest Batman film, The Dark Knight, evokes a similarly gloomy and introspective tone. Starring Christian Bale as the impenetrable Batman, the film also features Heath Ledger as The Joker in a fearlessly sinister performance that redefines the role and has already sparked talk of a posthumous Academy Award.
January 3, 2010, 7:16 am
Editor Elliot Graham (21, Superman Returns) used a combination of Avid desktop and laptop editing solutions to handle the project in HD - whether on set during production in San Francisco, near the director’s home in Portland, Ore., or for finishing work in Los Angeles.
January 1, 2010, 7:12 am
Back in the day, the last large mainstream facility that I helped design, install and manage was geared towards episodic TV series post. We had several dedicated linear bays, DaVinci film transfer, graphics/VFX and audio mixing suites.
December 31, 2009, 6:10 am
Looking back, maybe we could say 2009 was the year the playing field got a little more level. It was the year competition seemed to return, the year some of the hoopla subsided and people settled in around the idea that no single application is perfect and that each has its strengths and weaknesses.
December 31, 2009, 6:09 am
Film editor Pietro Scalia talks to journalist Mark Salisbury about working on Ridley Scott's BAFTA-winning epic, Gladiator. Discover how he dealt with the death of Oliver Reed three weeks before finishing shooting.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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