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  • AOTG

    Premiere Pro Video Adrenaline

    August 5, 2011, 7:36 pm
    In this installment of Video Adrenaline for Premiere Pro, Richard Harrington focuses on changes in Adobe CS55 and how it integrates with Audition. It's easy to move back and forth from a PP sequence to edit in Adobe Audition.

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  • Other Postings By Member

    • AOTG
      ANIMATION

      Classic Animation Revisited: City Paradise

      April 4, 2018, 9:12 am
      Cultural or social alienation comes in many forms and shapes. We’ve probably all experienced some degree of alienation at some point in our lives. That feeling of being overwhelmed by seemingly strange and unrecognizable landscapes, faces, languages. We usually associated with arriving in a new country, but similar experiences can be had in our everyday lives, whether arriving at a new school or job... hell, for some any social event (for me, it’s parties) can have the same effect. Really, anything that takes us out of our comfort zone can be startling and bizarre at first.

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    • AOTG
      EDITING

      The All New Frame.io is Coming

      April 4, 2018, 9:12 am
      We've been watching Frame.io for quite a while and it is very exciting to see how they've grown.

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    • THE RITUAL: Creature making of by Nvizible
      EDITING

      THE RITUAL: Creature making of by Nvizible

      April 4, 2018, 9:11 am
      Don’t miss this making of by Nvizible about their scary and yet beautiful creature for THE RITUAL...

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    • The VFX Secrets of 'Paddington 2'
      VFX

      The VFX Secrets of 'Paddington 2'

      April 4, 2018, 9:11 am
      Despite rapid advances in the field of special effects technology, crafting a CGI character that feels both naturalistic and engaging is still a challenge — just ask Star Wars’ infamous Jar Jar Binks or Justice League’s utterly forgettable villain Steppenwolf. But the recent Paddington 2, adored by audiences and critics alike for its imaginative whimsy and earnest emphasis on found families, succeeds in the feat of translating its titular character from a digital model into a genuinely believable and endearing lead. In addition to Ben Whishaw’s gentle, heartfelt voice acting, it took a mixture of both practical effects and CGI magic to bring the beloved bear to life.

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    • AOTG
      SOUND

      Neyrinck Releases update on Support for Pro Contro

      April 4, 2018, 5:17 am
      Last month Paul Neyrinck got in touch to tell us that he is undertaking some R&D looking at possible new features to V-Control Pro that would provide support for legacy control surfaces like the Pro Control and Control 24 with Pro Tools 11 and above as well as other DAWs. We asked if you would complete a short survey and Paul has now announced the outcome of the survey and how he plans to move forward.

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    • Adobe releases Character Animator CC 1.5
      ANIMATION

      Adobe releases Character Animator CC 1.5

      April 4, 2018, 5:17 am
      Adobe has released Character Animator CC 1.5, the latest update to its 2D puppet animation software, adding new tools for managing takes, and updating the particles and trigger systems.

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    • AOTG
      VFX

      NCam's Augmented Reality speeds up TV production

      April 4, 2018, 5:17 am
      With NAB just around the corner, it’s looking like one area of technology that’s breaking through into mainstream importance is the use of computer gaming engines (like Unreal and Unity) to create photorealistic virtual objects and scenery in real time.

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    • Adobe releases After Effects CC 15.1
      EDITING

      Adobe releases After Effects CC 15.1

      April 4, 2018, 5:17 am
      Adobe has released its latest update to After Effects, adding a new Master Properties system for managing nested compositions, revamping the Puppet tools, and adding support for mixed reality headsets.

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    • AOTG
      SOUND

      Pasting Automation of Different types in Pro Tools

      April 4, 2018, 5:16 am
      In this free video tutorial, you will see how, with some restrictions, it is possible to paste between automation playlists in Pro Tools.

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    • AOTG
      COLOR

      Adobe's AI will automatically color-match shots in

      April 4, 2018, 5:16 am
      At NAB 2018, Adobe has announced that the Sensei AI used in Photoshop and Lightroom have come to its Premiere Pro CC editing app. The first tool, Color Match, takes a lot of tedium out an edit. Even when filmmakers are careful, hues and tones can vary from shot to shot, so editors usually have to do a laborious color correction. All you have to do is tweak one shot just the way you want it, and Color Match will apply them to your other shots as editable color adjustments. That way, if it's still not quite perfect, you can do a final tweak to get it right.

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