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August 5, 2011, 7:36 pm
In this installment of Video Adrenaline for Premiere Pro, Richard Harrington focuses on changes in Adobe CS55 and how it integrates with Audition. It's easy to move back and forth from a PP sequence to edit in Adobe Audition.
October 19, 2017, 5:06 am
As I mentioned before, bit rate is how much data is sent each time period (usually measured in seconds). The higher the bit rate, the more information is sent. With more data, there are fewer artifacts.
October 19, 2017, 5:06 am
If you're in L.A. or London and you close your eyes and think about Ireland, you don't necessarily think about visual effects," says Jim Duggan, managing director of Dublin-based postproduction house Screen Scene. "You think about green fields and castles and locations." While the country's lush scenery may always remain the top draw, its growing post and VFX offerings are beginning to grab the world's attention. Screen Scene has worked on Game of Thrones since the first season (on which it did all the post), something Duggan admits has been a "big flag waver" for the company.
October 18, 2017, 1:35 pm
Of the many practical visual effects you can create with camera movements, passing through inanimate objects is the most visually striking and jarring (in a good way) trick you can pull. Add moving the character with the camera through a mirror or window, and you’ve created something truly special. It’s an excellent way to propel your story and style to new heights.
October 18, 2017, 1:34 pm
Final Cut Pro X's Magnetic Timeline helps you focus on story in a way no other NLE does. In the process, making you edit faster and more efficiently.
October 18, 2017, 9:26 am
Apple Final Cut Pro 7 compatibility ended with the release of macOS High Sierra, and Adobe’s 2018 Creative Cloud Update will give FCP7 editors an easier way to make the transition to Premiere Pro, if they so choose. Originally announced at IBC last month, the 2018 Creative Cloud Update offers a host of new updates including some enhancements in work flow organization and management.
Gordon sits down with Sidney Wolinsky to discuss the editing of Guillermo del Toro's latest film The Shape of Water.
Gordon sits down with Lee Percy to discuss editing The Mountain Between Us.
Lisa and Gordon discuss her career and approach to editing. ACE will have Lisa as part of their panels at the upcoming Edit ...
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