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  • AOTG

    Premiere Pro Video Adrenaline

    August 5, 2011, 7:36 pm
    In this installment of Video Adrenaline for Premiere Pro, Richard Harrington focuses on changes in Adobe CS55 and how it integrates with Audition. It's easy to move back and forth from a PP sequence to edit in Adobe Audition.

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  • Other Postings By Member

    • AOTG
      EDITING

      First Cuts

      October 22, 2008, 6:22 pm
      Back in August, the American Cinema Editors staged the first EditFest at Universal Studios. In this comprehensive event (co-sponsored by the Editors Guild and Avid), more than two dozen of the profession’s current and rising stars fanned out over four separate panels to show clips, share reminiscences, discuss the creative impact and business of editing, and offer career advice to a combined and eager audience of students and working pros. Following are some of the highlights of those panels.

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    • AOTG
      EDITING

      23rd Annual Gemini Awards

      October 21, 2008, 6:20 pm
      The Academy of Canadian Cinema & Television have announced the winners of the first of three industry award evenings. In total, 32 awards were presented. To see the winners in the film editing category you can look to the link below.

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    • AOTG
      EDITING

      More Poll Submissions

      October 20, 2008, 6:19 pm
      The list continues to grow. We are adding films as soon as we get them. We just received Don't Look Now edited by Graeme Clifford. With it our reader also submitted a review by the infamous Roger Ebert.

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    • Anne V. Coates BBC interview
      EDITING

      Anne V. Coates BBC interview

      October 20, 2008, 6:17 pm
      Anne joins Jenni to share her experiences of having worked on nearly 50 films, what it's like to look into the eyes of some of the world greatest actors, how it was to edit one of the cinematic masterpieces of all time - Lawrence of Arabia - and how she raised a dynasty of film industry children.

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    • AOTG
      EDITING

      Editors Retreat Panelists Announced

      October 16, 2008, 6:15 pm
      The Editors Retreat taking place in early 2009 has announced their two keynote speakers. Tom Rolf, A.C.E. and Dan Lebental A.C.E. will be the key note speakers at the event...

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    • Cutting Room Eps. 003 - Alan Heim
      EDITING

      Cutting Room Eps. 003 - Alan Heim

      October 16, 2008, 12:23 pm
      Alan Heim has become a force in the film editing world with work on such films as: All That Jazz, Network, American History X, and The Notebook. He is also the producer of The Cutting Edge: The Magic of Movie Editing. Check out his IMDB listing for more information

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    • AOTG
      EDITING

      The Cutting Crew

      October 15, 2008, 6:13 pm
      Nothing speaks like experience, so DV recently caught up with six working editors. Each took time out of their busy schedules to talk about the past, present and future of their favorite non-linear editing tools.

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    • What is the Greatest Edited Film
      EDITING

      What is the Greatest Edited Film

      October 14, 2008, 6:10 pm
      We are creating a list for the greatest film ever edited. Submit your suggestion in our poll section. After being up mere hours we've already got a few suggestions. Make sure your voice is heard!

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    • AOTG
      EDITING

      Bill Nichols | Documentary Reenactments

      October 12, 2008, 6:08 pm
      Ryerson University has posted a video of Bill Nichols lecture on reenactments. A great insight into film documentary reenactments and useful for editing. When you go to the video it streams via Windows Media 9 and some people have had trouble. If thats the case enter this web address into your media player to check it out. mms://www.windowsmedia.ryerson.ca/dmpstreams/2009Kodak/nichols/stream1.asx

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    • AOTG
      EDITING

      Editor Richard Harris' X Factor

      October 11, 2008, 6:07 pm
      Editing is an integral part of creating suspense in a film—anyone who has seen Alfred Hitchcock’s Psycho (1960) can attest to that. For a film like The X-Files: I Want to Believe (whose creators were so intent on producing a suspenseful aura for its audience that only a very elite group of those involved were given full scripts), having a skilled editor was crucial to its success. It made perfect sense when the moviemakers behind the film called in Richard A. Harris, an editor with plenty...

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