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August 5, 2011, 7:36 pm
In this installment of Video Adrenaline for Premiere Pro, Richard Harrington focuses on changes in Adobe CS55 and how it integrates with Audition. It's easy to move back and forth from a PP sequence to edit in Adobe Audition.
September 12, 2009, 6:43 pm
When do we make an edit? Where do we make an edit? Increasingly in this post-MTV age of cinema, the question arises: How often do we edit? When I’m lecturing at the Directors Guild, teaching editing workshops for the intensive program at Video Symphony, or teaching Avid-certified courses at Moviola Digital, I find the answer is increasingly: "Edit often." Students can show observable anxiety if footage lasts more than a second before another cut is made.
September 11, 2009, 6:42 pm
AMSTERDAM - Avid (www.avid.com) is using the IBC show to introduce the European market to the newly integrated company. Angus Mackay, marketing manager for Avid's professional segment, says the new V.4.0 release for the Media Composer family is big news for the show.
September 11, 2009, 6:41 pm
Media Composer 4 introduces Transition Preservation, Avid’s term for a group of enhancements that improve the handling of dissolves during editing. It’s one of those features that’s so intuitive that it immediately feels like you’ve been using it for years — and then you wonder how you did without it for so long. It’s all about timeline dynamics, and that makes it difficult to explain in words. So I’ve posted a video that explains it.
September 11, 2009, 6:37 pm
Man...what is UP with Avid lately? Three major releases of the software in just one year? And all with major feature enhancements. OH...and all with a very low upgrade cost...$350. It wasn’t 5 years ago that upgrades were 1-2 years apart, and cost thousands of dollars.
September 10, 2009, 6:36 pm
Avid Accelerates Customer workflows with new editing and production asset management solutions. "New versions of Media Composer, Symphony, NewsCutter and Interplay enable customers to lower production costs, increase productivity and shatter collaboration barriers"
September 10, 2009, 6:33 pm
Please join us for our monthly Sundownder. This Sunday the 13th September is shaping up to be a beautiful, sunny spring day. So please join us in the beer garden of The Courthouse, Newtown for a casual catch up. All Welcome!
September 9, 2009, 6:33 pm
I need a hobby. Well, an inexpensive one. I really want to get into cycling and get a road bike, or get one of those single gear really LIGHT ones but then I have to shell out cash for a bicycle and all the extras. But then I’d be shape at least.
September 9, 2009, 6:30 pm
My good friends at Automatic Duck have been churning out timeline translation tools for editors for many, many years now - in fact, any one who edits on multiple editing platforms knows very well what the Duck brings to the table. If you need to move your content back and forth between Avid, Final Cut Pro, After Effects, you know the nightmare that can be. And you also know by know the sanity-restoring qualities of Automatic Duck.
September 8, 2009, 7:05 pm
The world has changed to the point where virtually anyone who really wants to can grab a camera and some editing software and create their own film and tv content. As a filmmaker, videographer, or film/tv editor you probably know how to push the buttons on your editing system of choice. Let’s face it, any trained monkey can push buttons. In the middle all the button-pushing, it might not always be clear when to push the buttons... and more importantly why.
Gordon Burkell sits down with Nathan Robitaille and Nelson Ferreira to discuss the sound design of The Shape of Water, for wh ...
Gordon Burkell sits down to talk to Bruno Verdoni, who plays Pat in Molly's Game, about acting, working with Aaron Sorki ...
Gordon sits down with Alan Baumgarten and Josh Schaeffer to discuss their Eddie nominated work on the film Molly's Game.
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