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August 5, 2011, 7:36 pm
In this installment of Video Adrenaline for Premiere Pro, Richard Harrington focuses on changes in Adobe CS55 and how it integrates with Audition. It's easy to move back and forth from a PP sequence to edit in Adobe Audition.
April 9, 2010, 5:57 pm
EditShare, the technology leader in cross-platform collaborative editing and shared media storage systems, is pleased to announce the availability of its new Ark 2.0 backup and archiving solution.
April 9, 2010, 5:55 pm
And yet, to be really good at a particular skill or even inherent talent, most human beings must concentrate on one or two at a time. Many studies have indicated as much; even piano prodigies must practice constantly.
April 9, 2010, 5:54 pm
The rumors are true! Mercury’s blazing fast performance is something to see to believe. The completely redesigned playback engine in Adobe Premiere Pro CS5 delivers native 64 bit performance, multicore, and GPU-acceleration to provide an amazingly fluid, real-time editing experience. The above video highlights what beta testers have been saying about Adobe Premiere Pro CS5.
April 9, 2010, 5:54 pm
Cut + Run editor Dayn Williams, who previously collaborated with Rinsch on projects for Hiscox Insurance and Sci-Fi channel, calls Podarok: "an amazing opportunity to edit commissioned film with incredible scope, brilliant imagery and feature film pacing." He adds, "Plus I got to work with Carl and Dan Swietlik, ACE. It doesn't get better that that."
April 8, 2010, 5:53 pm
Changes coming fast and furious in the editing software world. Adobe back and better! FCP on its last legs? Smoke 2010 on the Mac! AVID streamlining, relevant again, and promising an uber-surprise at NAB!
April 8, 2010, 5:52 pm
If you’re attending NAB and interested in getting a closer look at what’s new in CS5 Production Premium, check out the Post-Production Conference sessions going on that week. A small sampling of what’s being highlighted include...
April 8, 2010, 5:51 pm
Don’t miss the exciting Adobe CS5 launch event on Monday morning 8AM PST. Viewers will be among the first to hear from Adobe executives about how CS5 can help companies and creative professionals build profitable businesses around digital content. Famed Adobe Evangelists—Terry White, Jason Levine, Greg Rewis, and Julieanne Kost—will demonstrate their favorite CS5 features for design, video, Web and photography. You can also get in on the conversation on Twitter #cs5 conversation.
April 8, 2010, 5:50 pm
In this episode, we’ll severely change the white balance of an image to correct an underexposed, wrongly balanced clip and make it look decent. We’ll use the curves in Avid’s Color Correction to do it.
April 8, 2010, 5:49 pm
Over 20 years ago Avid began with a shift away from linear purpose-built hardware by harnessing the power of non-linear software, running (eventually, as they increased in power) on commodity workstations. Today, the network--extending beyond the local network to the internet--is the platform ready to be harnessed.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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