Be a part of a unique online community that connects post production professionals and film academics worldwide.
You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.
September 19, 2009, 6:59 pm
Here's the list of Emmy Award Winning Editors for this year.
2009 Creative Arts Emmy Awards Nominees in Post-Production
Outstanding Single-Camera Picture Editing For A Drama Series
Breaking Bad • ABQ • AMC • High Bridge, Gran Via Productions, Sony Pictures Television
Lynne Willingham, Edited By
Outstanding Picture Editing For A Comedy Series (Single Or Multi-Camera)
30 Rock • Apollo, Apollo • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Media Studios
Ken Eluto, A.C.E., Editor
Outstanding Single-Camera Picture Editing For A Miniseries Or A Movie
Taking Chance • HBO • Motion Picture Corporation of American and Civil Dawn Pictures in association with HBO Films
Lee Percy, A.C.E., Editor
Brian A. Kates, A.C.E., Editor
Outstanding Short Form Picture Editing
81st Annual Academy Awards • ABC • Academy of Motion Picture Arts and Sciences
Kyle Cooper, Best Motion Picture Montage By
Hal Honigsberg, Editor
Outstanding Picture Editing For A Special (Single Or Multi-Camera)
Chris Rock - Kill The Messenger • HBO • Chris Rock Enterprises and Funny Business in association with HBO Entertainment
Michael D. Schultz, Editor
Outstanding Picture Editing For Nonfiction Programming
This American Life • John Smith • Showtime • Showtime Presents in association with
Chicago Public Radio, Killer Films, Inc., Left/Right, Inc.
Joe Beshenkovsky, Editor
Outstanding Picture Editing For Reality Programming
Project Runway • Finale (Part 1) • Bravo • Magical Elves for The Weinstein Company, Full Picture, Bravo
Jamie Pedroza, Edited By
Mary DeChambres, Edited By
Spiro C. Lampros, Edited By
Richie Edelson, Edited By
Maris Berzins, Edited By
Matthew Moul, Edited By
Steve Lichtenstein, Edited By
The Creative Emmys will take place Saturday, September 12 at the NOKIA Theatre L.A. LIVE in Los Angeles. The 61st Primetime Emmy Awards will be held Sunday, September 20 at the NOKIA Theatre L.A. LIVE in Los Angeles.
September 19, 2017, 7:48 am
hen I featured Adam Tinius’ Pulp Fiction soundtrack essay, I noted that Shaun of the Dead has some of my all-time favorite needledrops and cheekily-named song selections. Turns out, Tinius has created the same kind of rapidfire sonic punchline collage with director Edgar Wright’s entire Cornetto Trilogy.
September 19, 2017, 7:48 am
Check out the work of Rodeo FX in the Season 4 of BLACK SAILS in this VFX Breakdown...
September 16, 2017, 3:31 pm
Jason Ballantine, ASE (Australian Screen Editors) has been in the film industry since 1992 and is currently living in Los Angeles. He has won and been nominated for several Australian Awards for The Great Gatsby, Wish You Were Here and Wolf Creek. He was also a part of the Oscar winning team for Mad Max: Fury Road. In this installment of Art of the Cut, Jason and I discuss his most recent feature, Stephen King’s IT.
September 16, 2017, 3:30 pm
Maya LT provides several ways to rig characters for animation, giving character riggers the most flexibility.
September 16, 2017, 3:30 pm
Ultimatte 12 will be demonstrated at IBC 2017, on the Blackmagic Design booth. Discover a new realtime hardware compositing processor that’s perfect for broadcast quality keying and much more.
September 16, 2017, 3:30 pm
The Sennheiser FOCUSMIC Digital is an on-smartphone microphone designed for video journalism and vlogging with iPhones. The microphone is directional and can be quickly orientated for a variety of filming scenarios with your front-facing or rear camera.
September 15, 2017, 1:35 pm
In our third look at MAGIX Vegas Pro we’re looking at a bit more depth when it comes to effects and adding some pizazz to your video. Like many other NLEs, Vegas Pro has a palette full of video effects (more can be added via the Vegas plug-ins) that can be applied using a clip by clip method. You can also apply effects to an entire track without using the adjustment layer way of working that some other NLEs use. But the design of Vegas takes effects one step further and lets you apply effects to the entire project which can give you more options during the edit. If you wanted to apply something like a vignette or color correction to the entire edit you could do that by applying the effect to the video master output.
September 15, 2017, 4:06 am
When audiences inevitably marvel at the computer-generated worlds in Guillermo del Toro's The Shape of Water and the Angelina Jolie-produced animated drama The Breadwinner, both screening at this year's Toronto Film Festival, it will be thanks in large part to Ontario's thriving visual effects community.
September 15, 2017, 4:06 am
If you don't have a streamlined post workflow, you can kiss efficiency and your sanity goodbye. Seriously, one of the best ways to make your life easier in post-production is by maintaining a well-organized workflow, one that not only allows you to work faster but one that also allows you to work smarter so you're not losing great shots and perfect takes in the chaos of post. In this video, Matti Haapoja of TravelFeels shares some insight on how to create and maintain an effective editing workflow by walking you through his process from start to finish.
Lisa and Gordon discuss her career and approach to editing. ACE will have Lisa as part of their panels at the upcoming Edit ...
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
Choose what Post News gets sent directly to your E-Mail, daily or weekly.
Get your post news on your favourite Apple device, when you want it where you want it.
Get your post news on your favourite Android device with the AOTG Android App.