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September 19, 2009, 6:59 pm
Here's the list of Emmy Award Winning Editors for this year.
2009 Creative Arts Emmy Awards Nominees in Post-Production
Outstanding Single-Camera Picture Editing For A Drama Series
Breaking Bad • ABQ • AMC • High Bridge, Gran Via Productions, Sony Pictures Television
Lynne Willingham, Edited By
Outstanding Picture Editing For A Comedy Series (Single Or Multi-Camera)
30 Rock • Apollo, Apollo • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Media Studios
Ken Eluto, A.C.E., Editor
Outstanding Single-Camera Picture Editing For A Miniseries Or A Movie
Taking Chance • HBO • Motion Picture Corporation of American and Civil Dawn Pictures in association with HBO Films
Lee Percy, A.C.E., Editor
Brian A. Kates, A.C.E., Editor
Outstanding Short Form Picture Editing
81st Annual Academy Awards • ABC • Academy of Motion Picture Arts and Sciences
Kyle Cooper, Best Motion Picture Montage By
Hal Honigsberg, Editor
Outstanding Picture Editing For A Special (Single Or Multi-Camera)
Chris Rock - Kill The Messenger • HBO • Chris Rock Enterprises and Funny Business in association with HBO Entertainment
Michael D. Schultz, Editor
Outstanding Picture Editing For Nonfiction Programming
This American Life • John Smith • Showtime • Showtime Presents in association with
Chicago Public Radio, Killer Films, Inc., Left/Right, Inc.
Joe Beshenkovsky, Editor
Outstanding Picture Editing For Reality Programming
Project Runway • Finale (Part 1) • Bravo • Magical Elves for The Weinstein Company, Full Picture, Bravo
Jamie Pedroza, Edited By
Mary DeChambres, Edited By
Spiro C. Lampros, Edited By
Richie Edelson, Edited By
Maris Berzins, Edited By
Matthew Moul, Edited By
Steve Lichtenstein, Edited By
The Creative Emmys will take place Saturday, September 12 at the NOKIA Theatre L.A. LIVE in Los Angeles. The 61st Primetime Emmy Awards will be held Sunday, September 20 at the NOKIA Theatre L.A. LIVE in Los Angeles.
April 20, 2018, 11:40 am
In this tutorial, we will walk through the steps in animating a twirling character using Toon Boom Stage 10. We will learn how to draw rough poses, how to polish them, and how to transform them into a smooth, seamless animation!
April 19, 2018, 12:48 pm
“Editing is unique to film,” Stanley Kubrick told Rolling Stone in 1987. “You can see something from different points of view almost simultaneously, and it creates a new experience.” Big Little Lies director Jean-Marc Vallée certainly agrees. Throughout the series, Vallée uses editing as a passageway into characters’ points of view, subjectively portraying objective realities. In his detailed and insightful video essay “Editing & Empathy in Big Little Lies,” Mzak explores how Vallée uses creative, subtle editing devices to share characters’ points of view.
April 19, 2018, 12:48 pm
For those that stopped by the Digital Production Buzz booth in South Lower, it was great to see you. I just wish our production schedule allowed me more time to visit. I always enjoy chatting with you.
April 19, 2018, 9:10 am
It doesn’t matter if you’re short on time, lack design skills, or just plain hate creating graphics — Premiere Pro has you covered with motion graphics templates. Whether you need a credit roll, lower thirds, titles, slates, captions, transitions, looping backgrounds, or logos, Adobe has plenty of available options. The good news? You don’t even have to leave the program to use them.
April 19, 2018, 4:59 am
Much of Steven Spielberg’s Ready Player One is set in the Oasis, a virtual reality world full of digital avatars, game and film characters, and expansive cg environments. To produce that world, the director relied heavily on a virtual production methodology overseen by Digital Domain where actors were filmed in motion capture volumes and where shots could be designed and tweaked live with a simul-cam or ‘v-cam.’
April 18, 2018, 12:58 pm
Last time, in our look at learning DaVinci Resolve, we talked about the basics of importing footage into your Media Pool. In the next three articles, I want to look at bringing in footage from the three major NLE’s, Avid Media Composer, Adobe Premiere Pro and Final Cut Pro X, as this is one of the more common workflows, as editors more more and more towards doing their color correcting in Resolve. Let’s get started by looking at getting your footage out of Media Composer and into Resolve.
April 18, 2018, 10:01 am
Today Western Digital Corporation (WDC) introduced its highest capacity conventional magnetic recording (CMR) HDD with the Ultrastar DC HC520. The HC520 comes in capacities up to 14TB introducing a new, lower level of TCO for the cloud and enterprise guys. The new drive leverages WD’s fifth-generation HelioSeal technology to help deliver density, and better power usage per TB, and price per TB.
April 18, 2018, 4:30 am
Blind LTD have released a bunch of pictures about their holograms work on PACIFIC RIM – UPRISING (click on the picture below to watch them)...
April 18, 2018, 4:30 am
There have been very few attempts at hero suites in the film industry. The most notable have been SGO's Mistika and Quantel's Rio. Neither have ever been particularly accessible to independent filmmakers, primarily due to their price tags. Mistika, until very recently, was available either as a single-shot compositor in the form of MambaFX or as part of a turn-key workstation with starting prices in the six-figure range. Rio's pricing was similar.
Gordon Burkell sits down with Joe Letteri to discuss his Oscar-nominated work on War for the Planet of the Apes.
Gordon Burkell sits down with Nathan Robitaille and Nelson Ferreira to discuss the sound design of The Shape of Water, for wh ...
Gordon Burkell sits down to talk to Bruno Verdoni, who plays Pat in Molly's Game, about acting, working with Aaron Sorki ...
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