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December 2, 2017, 10:00 am
Lisa Bromwell, ACE has been working in feature film and TV editorial for more than 30 years. She moved into the editors chair in 1992 and has edited more than a dozen feature films and numerous TV series, like The Practice, Weeds, Better Off Ted, Cold Case, Gravity, and Criminal Minds. Art of the Cut talked to Bromwell about her work on the Netflix series, House of Cards. (There are specific examples of editing scenes that you can watch if you have Netflix or even a trial subscription to Netflix.)
December 1, 2017, 1:31 pm
With director Guillermo del Toro’s fairy tale The Shape of Water opening in select theaters this weekend, I recently sat down with editor Sidney Wolinsky for an exclusive video interview. He talked about how he first met del Toro, the way they collaborated in the editing room, how the first cut compares to the finished film, the toughest sequence to edit, deleted scenes, what people would be surprised to learn about working with del Toro, and so much more.
November 29, 2017, 6:27 pm
From his earliest beginnings at ILM to his current role as Senior Visual Effects Supervisor at Peter Jackson’s pioneering Weta Digital, four-time Oscar winner Joe Letteri has had the most accomplished of careers, witnessing the stunning evolution of visual effects over the course of three decades.
November 28, 2017, 8:00 pm
Ana Florit is your typical Los Angeles-based film editor: among other things, she grew up in the French Alps, moved to Paris, directed a one-hour movie, moved to LA, and has worked on five Sharknado movies, including the most recent, Sharknado 5: Global Swarming.
Gordon Burkell sits down with William Hoy ACE to discuss editing War of the Planet of the Apes.
Gordon sits down with the directorial team of Christopher Radcliff and Lauren Wolkstein to discuss their first feature film & ...
Gordon sits down with Joe Walker to discuss editing Blade Runner 2049. Gordon and Joe have talked twice previously, first abo ...
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