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August 30, 2011, 3:10 pm
(Amherst, New York--August 30, 2011) ATTO Technology, Inc. today announced its ExpressSAS 6Gb/s SAS/SATA RAID Adapters have been selected by G-Technology by Hitachi, a leading manufacturer of external disk storage solutions designed for professional content creation applications, to provide high-performance connectivity for their G-SPEED eS Pro desktop drives. Using ATTO's ExpressSAS 6Gb/s R680 RAID Adapter, G-Technology provides a solution that supports real-time HD and film production...
June 7, 2010, 5:48 pm
In this Final Cut example, one fingertip is touching an edit, another is hovering over a different edit. To select more than one edit, editors hold down the option key and click additional edits. In a multitouch UI, the editor could hold down a fingertip on the first edit and tap the other edits to extend the selection:
June 7, 2010, 5:47 pm
This has been one of my biggest complaints about Compressor; when you switch to it from another app by clicking into one of the compressor windows, only that window rises to the top. The rest of the windows remain mixed in with the finder windows and other apps you have open below. My big hope for FCS 7 was that they would lock those windows together and have them snap to the top together. LIKE EVERY OTHER APP.
June 7, 2010, 5:46 pm
Change happens to all of us, certainly to me. I was watching a movie at home last night with my wife, both notable things – I rarely watch movies at home, and up until last month I didn’t have a wife.
June 6, 2010, 5:44 pm
I have a love/hate relationship with Apple Compressor and am always on the lookout for better encoding tools. Part of our new file-based world is the regular need to process/convert/transcode native acquisition formats. This is especially true of the latest crop of HDSLRs, like the Canon EOS 5D Mark II and its various siblings.
June 5, 2010, 5:43 pm
A few weeks ago I wrote a post called Avid Media Composer in a DSLR World which detailed the various workflow options for working with DSLR media (mainly from Canon’s insanely popular 5D and it’s siblings). In that post I mentioned that the upcoming Media Composer 5 would change it all, and it really has, so here’s the update...
June 5, 2010, 5:42 pm
As your editing workflow slow because you are shooting with DSLR or AVCHD cameras? Do you ever feel like your NLE is fighting you instead of working with you? I have heard complaints about instability, crashes, unresponsiveness, rendering, and transcoding, and the list goes on and on.
June 4, 2010, 5:41 pm
Taking on a spec piece can be really troubling. It can also be rewarding. I find it really awkward. I’ve only had a few decent experiences with spec ads that have led to more work or a better relationship. I’m not going to tell you whether to accept them or to not, but I will give you a few experiences I’ve passed through since graduating college.
Gordon sits down with Marcus Schioler, Antoine Rotondo, & Marc-André Ferguson to discuss the big announcement at A ...
Gordon sits down with Joe Walker to discuss Steve McQueen's new film Widows.
Gordon sits down with Barry Brown to discuss his work on editing BLACKkKLANSMAN, Spike Lee's latest film.
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