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  • FCPX: Didn't We Ask for This?

    FCPX: Didn't We Ask for This?

    September 8, 2011, 7:59 am
    When talking about FCPX, the greater topics of philosophy, ethics, religion, personal well-being, the time space continuum, the consequence of true and real change, the past, the present, the future and, of course, our collective video careers, are often touched upon.

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  • Other Postings By Member

    • AOTG
      EDITING

      How the West Was One

      August 8, 2008, 2:56 pm
      They say everything comes in threes. On September 9, Warner Home Video releases three home entertainment packages—a high-definition Blu-ray and two standard-definition boxed sets––of the restored How the West Was Won, MGM’s 1962 all-star Western epic that was one of only two narrative features shot entirely in the original Cinerama three-panel widescreen process (The Wonderful World of the Brothers Grimm was the other). The film won three Academy Awards––Best Screenplay (James R. Webb)...

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    • Getting Your Start in the Business
      EDITING

      Getting Your Start in the Business

      August 5, 2008, 1:43 pm
      Seminar One: Moderated by Randy Roberts A.C.E. with panelists, Tina Hirsch A.C.E., Maysie Hoy A.C.E., Bonnie Koehler A.C.E., Carol Littleton A.C.E., Stephen Lovejoy A.C.E., and Michael Tronick. This Panel discusses how each of the panelists got their break in film editing. (Edit Fest 2008)

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    • AOTG
      EDITING

      Dan Lebental interview Part 3

      August 5, 2008, 9:42 am
      In this segment Dan gives us some great insights into the feature film editorial process. We discuss topics such as what it’s like screening the "first cut" with the director and starting out on the directors cut, bringing the length of IRON MAN down from 3.5 to it’s final running time of 2 hours, exploring variations of the film and reinventing scenes, and something he fondly refers to as "index card death row".

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    • AOTG
      EDITING

      Dan Lebental Interview Part 1

      August 5, 2008, 9:37 am
      HDFILMTOOLS posted this link for the three part interview with DAN LEBENTAL editor of IRON MAN!

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    • AOTG
      EDITING

      Interview with Dan Lebental Part 2

      August 3, 2008, 9:39 am
      Today we present Part II of my interview with Dan Lebental, film editor of Paramount Pictures and Marvel Entertainment’s, IRON MAN. In this segment Dan talks about his experience cutting on the Avid Media Composer, working with the visual effects team (upwards of 800 people) at ILM and the economics and intricacies of cutting a film with nearly 1000 visual effects shots. We go on to discuss the state of, and need for, industry accepted digital post production workflows. Finally, we talk...

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    • Ryerson University - School of Image Arts
      EDITING

      Ryerson University - School of Image Arts

      August 1, 2008, 3:25 pm

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    • Universidad Del Cine
      EDITING

      Universidad Del Cine

      August 1, 2008, 3:25 pm

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    • APA International Film School
      EDITING

      APA International Film School

      August 1, 2008, 3:25 pm

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    • Australian Film Television and Radio School
      EDITING

      Australian Film Television and Radio School

      August 1, 2008, 3:25 pm

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    • Bond University - Film and Television Dept.
      EDITING

      Bond University - Film and Television Dept.

      August 1, 2008, 3:25 pm

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