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September 11, 2011, 11:07 am
Here are the winners for editing at the creative hearts.
OUTSTANDING PICTURE EDITING FOR A COMEDY SERIES
(SINGLE OR MULTI-CAMERA)
SUE FEDERMAN, Edited by CBS
How I Met Your Mother
OUTSTANDING SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES
SIDNEY WOLINSKY, A.C.E., Editor HBO
Boardwalk Empire (Pilot)
OUTSTANDING SINGLE-CAMERA PICTURE EDITING FOR A MINISERIES
OR A MOVIE
SARAH FLACK, A.C.E., Editor HBO
ROBERT PULCINI, Editor
OUTSTANDING SHORT-FORM PICTURE EDITING
MATT O'CONNOR, Editor ESPN
ANTHONY MARCHEGIANO, Editor
The 2010 ESPY Awards
OUTSTANDING PICTURE EDITING FOR A SPECIAL (SINGLE OR MULTI-CAMERA)
MICHAEL POLITO, Editor HBO
BILL DERONDE, Editor
KEVIN O'DEA, Editor
KATIE HETLAND, Editor
Lady GaGa Presents The Monster Ball Tour:
At Madison Square Garden
OUTSTANDING PICTURE EDITING FOR NONFICTION PROGRAMMING
LEWIS ERSKINE, Edited by
ALJERNON TUNSIL, Edited by PBS
OUTSTANDING PICTURE EDITING FOR REALITY PROGRAMMING
JOSH EARL, Supervising Editor DISCOVERY CHANNEL
KELLY COSKRAN, Supervising Editor
ALEX DURHAM, Editor
March 22, 2018, 12:17 pm
Creating an authentic atmosphere while making a film is always a challenge – and sound is (some would argue) 50% of the whole experience. When you are making a film it might seem like a grueling task to put your energy into the sound, but always keep in mind how important it is when you are watching a film. Eerie atmosphere, creepy sound effects, comedic music or just a classic dramatic theme (think Titanic) can take your film from 0 to Intense. So put your headphones on and start researching some sounds to better your audience’s filmmaking experience. This time around, homemade pizza survivors and musical legends, Kathryn & Dušan von Trapp are here to highlight the most important aspects of sound in filmmaking...
March 22, 2018, 9:25 am
Do you remember Apple's 10.4 presentation from the LACPUG? Afterwards three of the filmmakers from the Apple Short Film Project got to present and talk about their entry. Sam Mestman takes a look behind the scenes of the productions with the finished films and recorded presentations from that night.
March 22, 2018, 6:35 am
If you’re a fan of the original Star Wars films, you probably aren’t a fan of the later releases of episodes 4, 5 and 6 — the ones that included additional CGI effects.
March 21, 2018, 9:32 am
Andrew Whitehurst began his visual effects career in 2003 at Framestore. He works on films like LARA CROFT TOMB RAIDER: THE CRADLE OF LIFE, TROY and CHARLIE AND THE CHOCOLATE FACTORY. He then joined Double Negative in 2005 and works on projects such as HARRY POTTER AND THE ORDER OF THE PHOENIX, HELLBOY II: THE GOLDEN ARMY, THE WOLFMAN and SKYFALL. As a VFX Supervisor, he took care of the effects of films like EX MACHINA and SPECTRE.
Gordon Burkell sits down with Nathan Robitaille and Nelson Ferreira to discuss the sound design of The Shape of Water, for wh ...
Gordon Burkell sits down to talk to Bruno Verdoni, who plays Pat in Molly's Game, about acting, working with Aaron Sorki ...
Gordon sits down with Alan Baumgarten and Josh Schaeffer to discuss their Eddie nominated work on the film Molly's Game.
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