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October 27, 2009, 8:23 pm
If you’re using Avid’s new DX hardware (Nitris or Mojo), then you’ve probably been using "Fast Scrub," perhaps without knowing it. This is a slick new feature that makes the timeline more responsive, by dramatically improving the number of frames displayed as you drag. Fast Scrub offers some of the smoothest timeline performance in the business —
January 22, 2021, 1:29 pm
Not too long ago getting raw video was a daunting and expensive proposition. Now there are competing raw formats that work on your average laptop. We’ve come a long way.
January 22, 2021, 1:29 pm
VFX Legion recently created over 200 visual effects shots for Black Box, the latest entry in the Welcome to the Blumhouse film anthology that tapped the LA/B.C.-based company’s end-to-end services. The thematically connected series of dark genre movies marks Amazon's first-ever global direct to services deal.
January 22, 2021, 1:29 pm
FEATURING SYNTHETIC SHIPS AND SUBS AND A CG OCEAN FROM DNEG.
January 22, 2021, 1:29 pm
NEW YORK CITY— Senior Colorist Alex Berman has joined the team at Goldcrest Post. Berman brings more than 20 years of experience in color grading and credits across feature films, episodic television, documentaries, and commercials. His recent work includes The Family for Netflix and executive producer Alex Gibney, College Behind Bars for WETA, Washington, and executive producer Ken Burns, and Hip Hop: The Songs That Shook America for AMC and producers Ahmir “Questlove” Thompson and Tarik “Black Thought” Trotter. He has also graded advertising campaigns for United Healthcare, Ralph Lauren, and other national brands.
January 22, 2021, 1:29 pm
Lisa Cooke was named board chair and is the first woman elected to lead the organization; other officers include Emma Clifton Perry, David Tanka, Jeffrey Okun, and Gavin Graham.
January 22, 2021, 1:29 pm
Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay about the gentle editing of Kelly Reichardt‘s First Cow.
January 22, 2021, 1:29 pm
Influencers: Coppola has relied on her long-time editor to carve out the unique rhythms and tonal balance of her films, while giving her the confidence to follow her distinctive voice.
January 21, 2021, 12:30 pm
Filmmaker Paul W.S. Anderson extends his relationship with Japanese video game publisher Capcom beyond the Resident Evil franchise with the new action-packed sci-fi movie Monster Hunter. Partnering with Anderson on this year-end thrill ride are producers Jeremy Bolt and Dennis Berardi, who also serves as the visual effects supervisor on the cinematic adaptation.
January 21, 2021, 12:30 pm
In this fun exploration featuring Rodeo FX’s animation supervisor Yvon Jardel, the studio breaks down the Tom/Bruce monster they worked on for season 3 of Stranger Things.
January 21, 2021, 12:29 pm
Russell Dodgson has been working at Framestore for over 10 years and before taking care of the visual effects of the His Dark Materials series, he worked on projects such as Harry Potter and the Deathly Hallows: Part 1, Black Mirror and Mars.
Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. ...
Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal. We explore how to make ...
Jody McVeigh-Schultz and Lane Farnham discuss tackling HBO's documentary series McMillion$, a series that explores the f ...
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