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November 3, 2009, 3:35 am
In The Genesis Code, a new indie feature currently in post-production on location in Lowell, MI, a college hockey player and a female journalism student struggle to find common ground with their spiritual faith and scientific studies, while a life hangs in the balance.
September 30, 2009, 7:25 pm
Well darn it all to heck, I can’t make it to Amsterdam this year. I didn’t last year either...but the year I did go...man, I had fun. Been trying to get back but too many things conspire against that. Not only is the city a blask, but I get to meet a whole lot of industry people at IBC, and a whole lot in my area at the Final Cut Pro User Group Supermeets.
September 29, 2009, 7:23 pm
For two days in mid-September, the 3-D Entertainment Summit was held in Hollywood with various motion picture, television, gaming and Internet professionals in attendance to consider the evolving market and technologies for stereoscopic motion pictures. Event sponsors consisted of Variety, the Entertainment Technology Center (ETC), Unicomm, Real D and Sony, among others.
September 29, 2009, 7:22 pm
Ken Eluto, A.C.E.’s career debunks any perception that editors can be typecast. His long list of credits includes PBS Frontline episodes about both Michael Jackson and Jesse Jackson; as well as American Experience episodes about Duke Ellington, the Battle of the Bulge, and the Hurricane of 1938. He’s cut television dramas such as Homicide: Life on the Street, The Bedford Diaries and The Jury. He’s edited more than two dozen episodes of NBC’s 30 Rock. This is Eluto’s second Emmy, the...
September 26, 2009, 7:19 pm
In his 19 years as a television picture editor, Ron Volk, A.C.E. has become a bit of an expert on Grammer—Kelsey Grammer, that is. Five years after completing the last of 129 episodes of Frazier, Volk has re-teamed with Grammer on Hank, a new sitcom from ABC that premieres on Wednesday, Sept. 30. Grammer stars as a Wall Street executive who loses his job and moves his family back to a small town with his in-laws. Volk is cutting all episodes of the series, along with assistant editor...
September 25, 2009, 7:17 pm
Building a new facility coincided beautifully with the producers’ other interest: switching from standard definition to high definition, and from tape to tapeless. That path soon became a journey with a bump in the road and a happy destination.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
Gordon Burkell sits down with Bill Turro to talk about the editing of GLOW on Netflix. This is the first in a three-part seri ...
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