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  • The Best Edited Sequences in Film

    The Best Edited Sequences in Film

    September 29, 2011, 9:35 pm
    Best Film Editing Sequences of All-Time: Film editing could be called film construction and has been regarded by many as the invisible art behind some of the greatest motion picture sequences of all time. Film editing is a skilled art - the selection and integration of a sequence of shots taken from thousands of feet of film to establish a structure, tempo, mood, or style.

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  • Other Postings By Member

    • AOTG
      VFX

      Ready Player One Virtual prod. and Motion Capt.

      April 19, 2018, 4:59 am
      Much of Steven Spielberg’s Ready Player One is set in the Oasis, a virtual reality world full of digital avatars, game and film characters, and expansive cg environments. To produce that world, the director relied heavily on a virtual production methodology overseen by Digital Domain where actors were filmed in motion capture volumes and where shots could be designed and tweaked live with a simul-cam or ‘v-cam.’

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    • AOTG
      EDITING

      Resolve Tutorial Import Media Composer Timelines

      April 18, 2018, 12:58 pm
      Last time, in our look at learning DaVinci Resolve, we talked about the basics of importing footage into your Media Pool. In the next three articles, I want to look at bringing in footage from the three major NLE’s, Avid Media Composer, Adobe Premiere Pro and Final Cut Pro X, as this is one of the more common workflows, as editors more more and more towards doing their color correcting in Resolve. Let’s get started by looking at getting your footage out of Media Composer and into Resolve.

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    • Western Digital Introduces 14TB CMR HDD
      EDITING

      Western Digital Introduces 14TB CMR HDD

      April 18, 2018, 10:01 am
      Today Western Digital Corporation (WDC) introduced its highest capacity conventional magnetic recording (CMR) HDD with the Ultrastar DC HC520. The HC520 comes in capacities up to 14TB introducing a new, lower level of TCO for the cloud and enterprise guys. The new drive leverages WD’s fifth-generation HelioSeal technology to help deliver density, and better power usage per TB, and price per TB.

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    • PACIFIC RIM - UPRISING: Holograms by Blind LTD
      VFX

      PACIFIC RIM - UPRISING: Holograms by Blind LTD

      April 18, 2018, 4:30 am
      Blind LTD have released a bunch of pictures about their holograms work on PACIFIC RIM – UPRISING (click on the picture below to watch them)...

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    • AOTG
      EDITING

      Is Resolve 15 now the ultimate "hero suite"?

      April 18, 2018, 4:30 am
      There have been very few attempts at hero suites in the film industry. The most notable have been SGO's Mistika and Quantel's Rio. Neither have ever been particularly accessible to independent filmmakers, primarily due to their price tags. Mistika, until very recently, was available either as a single-shot compositor in the form of MambaFX or as part of a turn-key workstation with starting prices in the six-figure range. Rio's pricing was similar.

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    • Secret Genius for Spotify FCPX Workflow
      EDITING

      Secret Genius for Spotify FCPX Workflow

      April 18, 2018, 4:30 am
      In this exclusive interview, FCPWORKS chats with Ben Jehoshua from Brian Graden Media. Ben recently directed the debut season of Secret Genius, a Spotify documentary series about singer-songwriters. The project was also the first piece of original video content for Spotify and was produced using Final Cut Pro X and Lumaforge’s Jellyfish.

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    • LOST IN SPACE: VFX Breakdown by Image Engine
      VFX

      LOST IN SPACE: VFX Breakdown by Image Engine

      April 17, 2018, 9:19 am
      Did you like robots, spaceships and alien planet? Then be sure to watch this VFX breakdown by Image Engine about their work on LOST IN SPACE...

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    • Software Encoding and Emerging Codecs
      EDITING

      Software Encoding and Emerging Codecs

      April 17, 2018, 9:19 am
      At NAB, Jan Ozer met with about a dozen companies with stakes in HEVC and/or AV1. This is another in a series of video interviews he conducted with them.

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    • AOTG
      EDITING

      8K. It's better, and it will catch on as quickly a

      April 17, 2018, 5:11 am
      If there is one thing RedShark Editor in Chief David Shapton took away from NAB 2018, it is a reinforcement that 8K really does have true benefits to our viewing experience, and it will become normal far faster than any of you think.

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    • AOTG
      VFX

      Lost in Space VFX Breakdown

      April 17, 2018, 5:06 am
      Image Engine presents Lost in Space Breakdown Reel.

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