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  • AOTG

    WEEK THREE AT THE EDIT CENTER

    October 3, 2011, 10:08 am
    On Monday, each of us sits down to address the notes that we received from Rodney Evans, the director of The Happy Sad, on Friday. We are all tapping away with our headphones on, filling a common room, but simultaneously lost in our personal space bubbles. We do this for the better part of the day.

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  • Other Postings By Member

    • The Legacy of Saul Bass on TV
      EDITING

      The Legacy of Saul Bass on TV

      September 25, 2017, 11:44 am
      othing’s worse than lazy titles. Minimalist titles, maximalist titles – anything’s better than someone slapping some semi-opaque words down over the first scene of the movie or TV show.

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    • AOTG
      EDITING

      Avid Artist DNxIV

      September 25, 2017, 4:35 am
      Developed in cooperation with AJA, the Avid Artist DNxIV is a smaller and more portable version of the Avid Artist DNxIQ rack unit announced earlier this year. It features a number of inputs and outputs for both video and audio, such as 12G SDI, HDMI, analogue audio input, and audio output for 5.1 or 7.1 surround monitoring.

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    • AOTG
      COLOR

      Learn the Basics of Using Color as a Powerful Stor

      September 25, 2017, 4:35 am
      How do you tell a story? If you're a filmmaker you know that you have so much more than the written word at your disposal. You have dialogue, camera movement, framing, costuming, set design, and editing all there waiting to inform and entertain your audience. But there is one very powerful narrative element that should never go unnoticed on any film production: color.

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    • AOTG
      EDITING

      How to Create an Isolated Echo Motion Trail Effect

      September 24, 2017, 5:53 pm
      If you've spent any time in Adobe After Effects, chances are you've played around with the Echo effect, which basically just stacks frames from different times in the layer to create "streaking" or "ghosting." This produces some pretty cool looking images, but if you want it to affect something specific, you'll need to know how to isolate and apply it to a single part of your frame or a specific object.

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    • Eddie Hamilton, ACE on Kingsman 2
      EDITING

      Eddie Hamilton, ACE on Kingsman 2

      September 23, 2017, 8:36 am
      This is Art of the Cut’s second interview with Eddie Hamilton, ACE. The first one was about Mission: Impossible – Rogue Nation. Hamilton’s other previous work includes co-editing Kick-Ass with Oscar-winner, Pietro Scalia, ACE, and editing X-Men: First Class among many others.

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    • AOTG
      VFX

      VIKINGS - 419: VFX Breakdown by Mr. X

      September 22, 2017, 4:19 pm
      Here is the VFX Breakdown by Mr. X about their work on the episode 419 of VIKINGS...

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    • AOTG
      VFX

      BWIN "The Race": Making of by Glassworks

      September 22, 2017, 9:08 am
      BWIN “THE RACE”: MAKING OF BY GLASSWORKS

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    • AOTG
      VFX

      Raptor VFX Breakdown

      September 22, 2017, 9:08 am
      UNIT IMAGE presents Raptor VFX Breakdown.

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    • AOTG
      ANIMATION

      Houdini 16 Heightfields

      September 22, 2017, 5:16 am
      Houdini 16’s new terrain tools are built on heightfields. Heightfields in Houdini are groups of 2D volumes displayed in the viewport and at render time, as a distorted grid. In this masterclass, we delve into what these are, and how you can use them beyond terrains.

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    • AOTG
      ANIMATION

      Create a Text Reveal Motion Graphic in Blender: Pa

      September 22, 2017, 5:16 am
      Create a Text Reveal Motion Graphic in Blender: Part 1

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