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November 9, 2009, 3:49 am
In 1987 AVID technology began life as a company and in the years that followed the entire workflow for editing film was to be changed forever. A core team of people were involved in the development of the AVID, from the initial idea by Bill Warner, to the technical creation of a system which still rules Hollywood today. Tom Ohanian was part of the AVID founding team, those who brought the Media Composer, the Film Composer and Avid Multicamera Systems into being.
January 12, 2021, 6:10 pm
In 2014, Dan Levitan told us about the work of Hammerhead on The Expendables 3 and then worked at Psyop and FuseFX on a various shows including War Dogs, The Last Man On Earth, Station 19 and Veronica Mars.
January 12, 2021, 2:08 pm
A native Californian, David Tanaka attended the University of California at Berkeley where in 1989 he earned his bachelor’s degree in Fine Arts with an emphasis in Film Theory. Upon graduating, he worked for post-production facilities throughout the San Francisco Bay Area, quickly gaining experience through corporate advertising and industrial documentary assignments.
January 12, 2021, 2:06 pm
This is Part 2 of my DaVinci Resolve Speed Editor review. In Part 1, I covered the hardware, trimming, a lot of the Cut page and basic editing with the Speed Editor. This second part is all about multicam and multicamera editing with the Speed Editor and the Cut Page.
January 12, 2021, 2:06 pm
VFX Legion created over 200 visual effects for ‘Black Box,’ one of the series of films in the ‘Welcome to Blumhouse’ anthology that tapped the LA/B.C.-based company’s end-to-end services. The thematically connected package of dark genre movies marks Amazon‘s first-ever global direct to services deal.
January 11, 2021, 2:07 pm
What follows is a long chat I had with visual effects supervisor Nathan McGuinness and DNEG visual effects supervisor Pete Bebb about their work on Aaron Schneider’s Greyhound, which stars Tom Hanks as a WWII navy captain of a destroyer guarding a merchant ship convoy across the Atlantic during WWII.
Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. ...
Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal. We explore how to make ...
Jody McVeigh-Schultz and Lane Farnham discuss tackling HBO's documentary series McMillion$, a series that explores the f ...
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