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October 8, 2011, 10:54 am
January 2, 2017, 8:08 am
In the final stretch of its Kickstarter campaign, FlowMotion Smartphone Stabilizer was funded in one hour and has amassed, now, over $600,000 of a $30,000 goal. It’s almost sure that the end of shaky videos is about to be true. FlowMotion solves a pain many have felt all too personally – getting stable video with The post FlowMotion ONE, the end of shaky videos appeared first on ProVideo Coalition.
December 31, 2016, 2:54 pm
Hughes Winborne, ACE, is an Oscar-winning editor (Crash, 2005) who has cut more than two dozen feature films including Billy Bob Thornton’s Sling Blade, The Pursuit of Happyness, Seven Pounds, and Guardians of the Galaxy. His latest film is Denzel Washington’s adaptation of August Wilson’s Pulitzer Prize-winning play, Fences. HULLFISH: Hughes, we have something in The post ART OF THE CUT with Oscar Winner Hughes Winborne on “Fences” appeared first on ProVideo Coalition.
December 31, 2016, 7:30 am
We’ve already taken a look at some of the biggest articles that were published in 2016 on PVC, but the ongoing series that were started, completed and updated in 2016 offer an even better look at the breadth of content that’s available on the site. Many of these series will continue to be updated The post The Top 8 Series on PVC in 2016 appeared first on ProVideo Coalition.
December 31, 2016, 7:29 am
In this lesson, Kevin P McAuliffe talks about how to record voice overs directly into Avid Media Composer using any off the shelf USB microphone. I get a lot of tutorial ideas from questions that are sent to me via e-mail, as well as questions that I see asked via The Avid Editors of Facebook The post Let’s Edit with Media Composer – ADVANCED – Recording Voice Overs appeared first on ProVideo Coalition.
December 30, 2016, 5:59 am
This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in Avid Media Composer, so they can get up to speed editing quickly! Many of the e-mails I receive from new editors, and editors who are either making a switch from FCPX or Premiere, or an editor is The post Get Started Fast with Media Composer for Adobe Editors — Part 3 appeared first on ProVideo Coalition.
December 29, 2016, 7:17 am
Over the past couple years, we’ve taken a look back on practically all of the content that was published on PVC in a given year, but that sort of overview can be just as difficult to read as it is to compile. With well over 1,000 items published on PVC in 2016, trying to capture The post The Top 10 Articles on PVC in 2016 appeared first on ProVideo Coalition.
December 28, 2016, 3:29 pm
This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in Avid Media Composer, so they can get up to speed editing quickly! Other than exporting, acquiring media is probably the single biggest problem that editors run into when getting up and running with Media Composer. Many The post Get Started Fast with Media Composer for Adobe Editors — Part 2 appeared first on ProVideo Coalition.
December 28, 2016, 3:29 pm
The sound tapestry inside the spaceship in Passengers may sound as something from a distant future, but it was created with things as simple as glass rolling on a desk or squeaks of an office chair. Passengers, from Director Morten Tyldum and Sony Pictures Entertainment, is a futuristic love story set on a mammoth spaceship The post Passengers: inventing the sound of a space love story appeared first on ProVideo Coalition.
December 26, 2016, 4:23 pm
Equalizers were created to help tame the frequency responses of recordings. Early on, they were relatively simple devices that would boost or attenuate a broad range of frequencies of the signal that passes through it. Digital audio has changed and enriched the tool set of EQ, with many types of software EQ devices that make The post EQ-28 Weeks of Post Audio-Week 7 appeared first on ProVideo Coalition.
December 24, 2016, 3:14 pm
Joan Sobel, ACE began as an assistant on such films as both of Quentin Tarantino’s Kill Bill films. She then transitioned to the editor’s chair with 2005’s The Quiet, followed by a steady string of work including A Single Man, Admission, and The Perfect Guy. Our interview today is about her work on Tom Ford’s The post ART OF THE CUT with “Nocturnal Animals” editor Joan Sobel appeared first on ProVideo Coalition.
Gordon Sits down with Christopher Tellefsen to discuss A Quiet Place.
Gordon sits down with Marcus Schioler, Antoine Rotondo, & Marc-André Ferguson to discuss the big announcement at A ...
Gordon sits down with Joe Walker to discuss Steve McQueen's new film Widows.
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