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October 10, 2011, 3:32 pm
Don't get me wrong, I bought FCP X the day it came out and I will learn how to use it – well. But it’s clear that Apple is leaving the professional software space. So I, like so many other fulltime freelance editors will have to readjust. Soon I’ll be able to add another slash to my title: Avid / FCP/ Premiere Pro editor. And even though I have the same concerns a lot of other editors have about how the USD300 FCP X price tag will further...
February 2, 2019, 5:35 am
The American Cinema Editors is honoring its own tonight with the 69th annual ACE Eddie Awards in Los Angeles, and Deadline is live blogging it all. We’ll post the winners in all 11 categories as they’re announced and pass along quotes from their speeches as well as describing the atmosphere.
February 2, 2019, 5:35 am
Two films about Brits of very different eras took the marquee trophies at the ACE Eddie Awards tonight as Bohemian Rhapsody and The Favourite took home the respective marquee prizes for Best Edited Feature Dramatic and Comedy.
February 2, 2019, 5:34 am
Congratulations to our User Alejandro Sanchez for a terrific score of 66.67% when predicting the 2019 ACE Eddie Awards winners on Friday. He is actually tied with seven other people — Dkbif, FreemanGriffin, tommy, oscareview, Red_Snow, Julius Legaspi and moviefan61794 — at that percentage but has a better point score total of 14,095 by using the 500 super bets wisely.
February 2, 2019, 5:34 am
In this premium video tutorial, Pro Tools Expert team member Julian Rodgers looks the new 304E and 304C plug-ins from Avid. These are cosmetic updates for the old Joe Meek plug-ins. They sound the same, have the same controls and in sessions using one of the old green plug-ins these should be substituted to give the same sounds as before.
February 2, 2019, 5:34 am
“Bohemian Rhapsody,” which has been on a roll since the Golden Globes, was the surprise dramatic editing winner for John Ottman at the 69th ACE Eddie Awards Friday at the Beverly Hilton.
February 2, 2019, 5:34 am
DC Comics’ lord of the seas made quite a splash on the big screen when Aquaman arrived in theaters in December, and the Warner Bros. Pictures film recently moved past The Dark Knight Rises to become the highest-grossing movie of all time based on a DC character.
February 2, 2019, 5:34 am
Bohemian Rhapsody editor John Ottman and The Favourite editor Yorgos Mavropsaridis won the awards for best edited dramatic feature and best-edited comedy feature, respectively, at the 68th annual American Cinema Editors Eddie Awards on Feb. 1 at the Beverly Hilton Hotel.
February 1, 2019, 11:42 am
In this episode of Art of the Cut’s “Voices from Sundance” podcast series, we’re talking with Japanese editor Maho Inamoto about editing the feature film “We Are Little Zombies.” The film follows four junior high aged Japanese kids from shortly after each of their parents have died. They meet and realize that they feel nothing. To feel something, they form a band. I spoke to Maho through her interpreter. She was also joined by the producer of the film.
February 1, 2019, 11:42 am
Red Giant announced that Universe 3.0 is here. The new version of the software has a powerful new dashboard, new text generation effects, presets and more.
February 1, 2019, 6:00 am
Unity Technologies has released Unity 2019.1 in beta. The first of this year’s cycle of updates to the game engine adds a scene visibility system and extends the functionality of the experimental GPU lightmapper.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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