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November 12, 2009, 3:56 am
Walter Murch will be speaking about his transition back to AVID Media Composer on November 18, 2009. The next LAFCPUG is jam-packed with - AVID - sessions. Yes, you read that correctly. Founder and head of lafcpug, Michael Horton, says, "Avid Media Composer is still firmly entrenched in Hollywood feature films and broadcast television. In order for you to compete in Hollywood it's important to know both tools." So, attention all Final Cut Pro (and Media Composer) users - you won't want to...
Walter Murch will be speaking about his transition back to AVID Media Composer on November 18, 2009. The next LAFCPUG is jam-packed with - AVID - sessions. Yes, you read that correctly. Founder and head of lafcpug, Michael Horton, says, "Avid Media Composer is still firmly entrenched in Hollywood feature films and broadcast television. In order for you to compete in Hollywood it's important to know both tools." So, attention all Final Cut Pro (and Media Composer) users - you won't want to miss this evening and its compelling look at Avid in the industry! The agenda includes:
Walter Murch - "What it's like going from Avid to FCP and back to Avid"
Shane Ross (of Little Frog in High Def) - "Avid Media Composer 4.0, Avid Media Access"
Steve Cohen (of Splice Here) - "What's New in Media Composer 4.0"
ALSO, Media Composer 4.0 software will be given away as part of the 'world famous raffle!'
The event is open, but requires registration to attend: http://www.lafcpug.org/user_schedule.html
February 20, 2017, 6:17 am
Every year, five films are nominated for an Academy Award in the “Visual Effects” category. Each of the projects nominated this year offer a unique, inside look at the amazing tricks filmmakers and their talented effects teams use to pull off the visual spectacles that make for a big-screen blockbuster. In recognition of these five films — and one of our favorite Oscar categories — we’re putting the spotlight on one “Visual Effects” nominee each day leading up to Sunday’s broadcast, and taking a closer look at what made them stand out.
February 20, 2017, 6:16 am
CG Labs is very proud of Vladimir “Vlado” Koylazov’s recent Scientific and Technical Academy Award win. In fact, Chaos Group’s co-founder had barely stepped off the red carpet when Chris and Lon wrangled him into the CG Garage recording studio for this special podcast.
February 19, 2017, 5:51 am
The 53rd annual Cinema Audio Society Awards were presented on Feb. 18 at the Omni Hotel in Los Angeles. During a fun-filled night hosted by Elayne Boosler, seven competitive prizes were handed out and that roster of champs detailed below. In addition, a lifetime achievement honor was given to production mixer John Pritchett while Jon Favreau got the filmmaker award.
February 18, 2017, 4:42 pm
Oscar nominated for their labors on Marvel’s Doctor Strange, visual effects supervisors Stephane Ceretti and Richard Bluff are emblematic of the magic their craft can bring to big screen endeavors. Injecting magic into the Marvel Cinematic Universe with the Benedict Cumberbatch-starring film, the pair had an important part to play in the future of the studio, creating the looks for several mystical dimensions that may appear in future Marvel movies.
Joe Walker joins Gordon to discuss the editing of Denis Villeneuve's film Arrival. They focus on Time and manipulating t ...
Gordon sits down with Steven Rosenblum to discuss the editing of Birth of a Nation. They talk about lack of footage and how t ...
Gordon sits down with Zack Arnold, founder of FitnessinPost.com, about his new project, Optimize Yourself. This new program i ...
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