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November 12, 2009, 3:56 am
Walter Murch will be speaking about his transition back to AVID Media Composer on November 18, 2009. The next LAFCPUG is jam-packed with - AVID - sessions. Yes, you read that correctly. Founder and head of lafcpug, Michael Horton, says, "Avid Media Composer is still firmly entrenched in Hollywood feature films and broadcast television. In order for you to compete in Hollywood it's important to know both tools." So, attention all Final Cut Pro (and Media Composer) users - you won't want to...
Walter Murch will be speaking about his transition back to AVID Media Composer on November 18, 2009. The next LAFCPUG is jam-packed with - AVID - sessions. Yes, you read that correctly. Founder and head of lafcpug, Michael Horton, says, "Avid Media Composer is still firmly entrenched in Hollywood feature films and broadcast television. In order for you to compete in Hollywood it's important to know both tools." So, attention all Final Cut Pro (and Media Composer) users - you won't want to miss this evening and its compelling look at Avid in the industry! The agenda includes:
Walter Murch - "What it's like going from Avid to FCP and back to Avid"
Shane Ross (of Little Frog in High Def) - "Avid Media Composer 4.0, Avid Media Access"
Steve Cohen (of Splice Here) - "What's New in Media Composer 4.0"
ALSO, Media Composer 4.0 software will be given away as part of the 'world famous raffle!'
The event is open, but requires registration to attend: http://www.lafcpug.org/user_schedule.html
September 21, 2017, 4:39 am
Editor’s Note: The Blue Collar Post Collective is a 501c3 non-profit organization that seeks to support emerging talent in all areas of post production. BCPC does this through free meet-ups and events, and a financial aid program called the Professional Development Accessibility Program (PDAP).
September 21, 2017, 4:39 am
Learning the craft of editing is a real challenge with so many opportunities to look like a complete and utter noob. For those of us who have ever worked professionally as an editor, we can all collectively wince as we think back unfondly at the countless mistakes we made in our early days, but for those of you who are new to editing, well, you just get to learn from our green-eyed blunders.
September 20, 2017, 8:13 am
While they have their own Oscar’s category and on occasion take over the iTunes’ charts, the musical accompaniment to our favorite films and TV shows often seem invisible. This is both a good and a bad thing. To not notice a song or a score in the background of a scene means that the perfect song has been chosen or the perfect score has been crafted and the sound work is smooth, but noticing the impact this sound design has on the story of the film or television show should be something we always try to do. Especially when considering it has such a strong role in guiding our emotions to where the storytellers intended them to go.
September 19, 2017, 7:48 am
hen I featured Adam Tinius’ Pulp Fiction soundtrack essay, I noted that Shaun of the Dead has some of my all-time favorite needledrops and cheekily-named song selections. Turns out, Tinius has created the same kind of rapidfire sonic punchline collage with director Edgar Wright’s entire Cornetto Trilogy.
September 16, 2017, 3:31 pm
Jason Ballantine, ASE (Australian Screen Editors) has been in the film industry since 1992 and is currently living in Los Angeles. He has won and been nominated for several Australian Awards for The Great Gatsby, Wish You Were Here and Wolf Creek. He was also a part of the Oscar winning team for Mad Max: Fury Road. In this installment of Art of the Cut, Jason and I discuss his most recent feature, Stephen King’s IT.
September 16, 2017, 3:30 pm
Ultimatte 12 will be demonstrated at IBC 2017, on the Blackmagic Design booth. Discover a new realtime hardware compositing processor that’s perfect for broadcast quality keying and much more.
Lisa and Gordon discuss her career and approach to editing. ACE will have Lisa as part of their panels at the upcoming Edit ...
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
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