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November 16, 2009, 4:04 am
Automatic Duck provides solutions for video editors needing to move between applications. To understand what they offer we need to step back in history. When Final Cut Pro appeared on the video scene in 1999 the professional world was entrenched with AVID. TO move an AVID project to Final Cut Pro or from Final Cut Pro to AVID was not a simple process.
July 12, 2009, 4:11 pm
Dr. Karen Pearlman, head of screen studies at AFTRS and co-artistic director of The Physical TV Company, has made her way into the literary field. Her book, Cutting Rhythms: Shaping the Film Edit, has now been published by Focal Press, America's leading publisher of books on media.
July 10, 2009, 4:08 pm
Demonstration of the future of film editing.
July 9, 2009, 4:04 pm
"3-D is easy. Just remember to do everything––perfectly––twice," jokes picture editor Ed W. Marsh. At the Producers Guild of America’s recent "Produced By" event, a visionary imaging and entertainment conference held at Sony Pictures Studios in June, Marsh joined a panel of 3-D experts representing every step of the stereoscopic workflow. The panel, titled "A New Dimension," offered a wealth of advice for 3-D producers on team-building, as well as demos of products and techniques...
July 9, 2009, 4:04 pm
A Classifieds section has been added. We've received many emails about posting things directly onto the Art of the Guillotine Main Page. Instead we revived the classifieds section. If you want to buy something, sell something, look for work, post a job etc. You can do it there. Realize we are not responsible for what is posted there and who contacts you.
Gordon Burkell sits down with Joe Letteri to discuss his Oscar-nominated work on War for the Planet of the Apes.
Gordon Burkell sits down with Nathan Robitaille and Nelson Ferreira to discuss the sound design of The Shape of Water, for wh ...
Gordon Burkell sits down to talk to Bruno Verdoni, who plays Pat in Molly's Game, about acting, working with Aaron Sorki ...
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