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November 24, 2009, 4:25 am
Well, after a normal shift onlining two acts (we decided to do the online act by act), and then a marathon 25 hour online session over the weekend, I am done. And that is all I pretty much did...online. No color correction as there was no time. This was the fastest and most down and ditry online I have ever done. I finished 10 min before the producer had to jump onto a plane with the tape and drive with all the media managed footage.
December 31, 2009, 6:09 am
Film editor Pietro Scalia talks to journalist Mark Salisbury about working on Ridley Scott's BAFTA-winning epic, Gladiator. Discover how he dealt with the death of Oliver Reed three weeks before finishing shooting.
December 30, 2009, 6:08 am
VLC is a cross-platform media player that can handle all sorts of audio and video files. It's open source, free, and available for Mac, Linux, and Windows, which makes it all sorts of awesome. There's even a portable version that you can run from a USB flash drive. And that's why it's pretty exciting that the some of the folks who brought us VLC are now working on a cross-platform video editor called VideoLAN Movie Creator, or VLMC.
December 30, 2009, 6:07 am
Christopher Nelson, ACE, has what many would consider a dream job. During the summer he's editing AMC's Emmy Award-winning Mad Men, and in the winter he turns his attention to the phenomenon known at ABC's Lost — he is currently cutting the last season of the show.
December 29, 2009, 6:06 am
Final Cut Studio, Adobe and Avid editors and digital filmmakers from around the world will gather together for the Ninth Annual San Francisco SuperMeet, to be held on Friday, February 5, 2010 at the UCSF Mission Bay Conference Center in San Francisco, CA.
December 29, 2009, 6:05 am
There’s one woman in the world who understands Quentin Tarantino better than anybody, and that’s Sally Menke. Since her work on Reservoir Dogs, Menke has cut every single one of Tarantino’s films, and for the last decade, she’s eschewed almost all other jobs to devote herself solely to the genre-blending auteur. This Sunday, Menke will be receiving the Lifetime Achievement honor at the Hamilton Behind the Camera Awards, and as Inglourious Basterds begins its transformation from unexpected summer
December 28, 2009, 6:05 am
There is a saying that a film is made on two tables. One is story table and the other is editing table. It is left to the editor to change the fortune of the film with fine editing. Marthand K Venkatesh is an ace film editor in Telugu film industry today. 70% of the film he edited went on to become the blockbusters. Idlebrain.com has met up with him and a long personal as well as technical interview on film editing. Here are the excerpts...
December 28, 2009, 6:04 am
Ken Sallows is one of Australia's most noted editors. His career started in the 1970s working at Crawford Productions on legendary TV shows like Homicide, Bluey, and The Sullivans. He moved into the film world as an assistant editor on Fred Schepsi's The Chant of Jimmy Blacksmith (1978). His break as a feature editor came with Malcolm (Nadia Tass, 1986). Since then he has worked on some of Australia's most critically acclaimed films including Celia (Ann Turner, 1989), Proof (Jocelyn Moorhouse...
December 28, 2009, 6:04 am
The Story Department, a Sydney, Australia based website founded by OZZYWOOD Films producer and Story Analyst Karel Segers, requested my article on screenwriting for editing. They improved my article with a few astute edits and illustrations. Here’s the lead paragraph...
December 27, 2009, 6:03 am
The sheer mix and volume of formats to deal with today can be mind-boggling. Videotape player/recorders – formerly a common denominator – are a vanishing breed. Post facilities still own and use VTRs, but operations at the local market level, especially in broadcast, are becoming increasingly tapeless.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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