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April 25, 2019, 12:03 pm
LOS ANGELES -- The Academy’s Board of Governors has approved Oscars rules for the 92nd Academy Awards. Notable changes and updates are as follows...
April 25, 2019, 6:20 am
During the 1982 Cannes Film Festival, director Wim Wenders set up a 16mm camera and tape recorder in a room at the Hotel Martinez, then invited a lineup of world-class filmmakers to sit next to a television and answer the question “Is cinema a language about to get lost, an art about to die?”
April 24, 2019, 8:57 am
Indeed Adobe has. And what is impressive about it all is that, as the company’s Principal Product Manager for Video Editing, Patrick Palmer says, it’s less about the technology and more about the experience you have with the product as a user.
April 24, 2019, 5:27 am
A recent thread in Creative COW's Apple Motion forum led longtime VFX artist, editor, software developer, and business owner Simon Ubsdell down his own path of discovery on how to tackle this, providing a reminder in this first of a series that there's more than one fruitful route to creativity using Motion's extensive toolset for generating media, animation, customization, rigging, and much more.
April 24, 2019, 5:27 am
One of the smaller items of M&A action to come out of NAB this year could still lead to some of the coolest tools a little bit further down the line; well-regarded software developer Hedge, which specialises in making backup software for filmmakers, has acquired fellow developer Postlab.
April 23, 2019, 6:15 am
There is a playful exuberance to composer David Schwartz‘s work. PremiumBeat sat down with the man behind Arrested Development, Veep, and the The Good Place to talk about edgy, smart comedy — and why it’s important to score what’s not on the screen.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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