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  • AOTG

    Brad Fuller - Finding the Moment Panel

    November 11, 2011, 1:08 pm
    Editor Brad Fuller discusses the importance of order with the documentary Two Hands. For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by Dan Jamieson.

    If you enjoy this video there are many more in the Association Video Series Section


































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  • Other Postings By Member

    • CoreMelt PaintX - a tracked painting must have too
      EDITING

      CoreMelt PaintX - a tracked painting must have too

      September 10, 2018, 4:44 pm
      The big brains at CoreMelt recently released PaintX, another visual effects tool for Final Cut Pro X that uses the mocha tracking engine to make tedious tasks easier. I don’t do a ton of visual effects work so tasks like tracking, painting, roto, general manipulating within the frame is something I reluctantly do but it’s a necessary evil in post-production these days. And it isn’t easy. While many tools have come along to make this easier (here’s looking at you After Effects roto brush) it can still be a tedious task.

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    • AOTG
      VFX

      ‘Game of Thrones,’ ‘The Alienist’ Win VFX

      September 10, 2018, 1:44 pm
      LOS ANGELES -- The Television Academy presented the first of its two 2018 Creative Arts Emmy Awards Ceremonies honoring outstanding artistic and technical achievement in television on Saturday night at the Microsoft Theater in Los Angeles. The ceremony, which kicked-off the 70th Emmys, awarded many talented artists and craftspeople in the categories of animation, scripted programming including comedy, drama and limited series.

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    • Disintegration VFX in AE Tutorial
      VFX

      Disintegration VFX in AE Tutorial

      September 10, 2018, 1:44 pm
      Join VFX guru Tobias Gleissenberger of Surfaced Studio for a classically energetic Adobe After Effects tutorial combining difference mattes, displacement maps, edge glows, and compositing tricks to dissolve (or explode!) one element in your frame while leaving the rest alone.

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    • INFINITY WAR: Russell Earl - VFX Supervisor
      VFX

      INFINITY WAR: Russell Earl - VFX Supervisor

      September 10, 2018, 1:44 pm
      In 2016, Russell Earl explained the work of ILM on CAPTAIN AMERICA: CIVIL WAR. He then worked on VIRAL and THE CLOVERFIELD PARADOX. Today, he returns to the MCU with AVENGERS: INFINITY WAR.

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    • AOTG
      ANIMATION

      The 2018 Creative Arts Emmy Winners for Sound

      September 10, 2018, 3:48 am
      The winners of the 2018 Creative Arts Emmy awards for sound have been found - here they are (+ the stories behind the sound for five of them). A big congrats to all the winners and nominees!

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    • Marmoset ships Toolbag 3.05 in beta
      ANIMATION

      Marmoset ships Toolbag 3.05 in beta

      September 10, 2018, 3:48 am
      The update focuses primarily on Toolbag’s baking toolset, adding support for custom cage geometry and improved sampling for texture maps, plus new microsurface shaders and a new ACES-compliant tonemapper.

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    • A.I. Gigapixel receives update and new resizing mo
      VFX

      A.I. Gigapixel receives update and new resizing mo

      September 9, 2018, 12:09 pm
      The image resizer A.I. Gigapixel, from Topaz Labs, received a new update, featuring additional options for image enhancement, 3 sets of new Artificial Intelligence models and other features.

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    • AOTG
      SOUND

      Make an Octave Effect - Pro Tools

      September 8, 2018, 6:21 am
      In this premium video tutorial, Pro Tools Expert team member Julian Rodgers explores one of the most overlooked plug-ins among the stock Pro Tools plug-ins - Recti-fi.

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    • Tonebenders Podcast - Joseph Fraioli
      SOUND

      Tonebenders Podcast - Joseph Fraioli

      September 8, 2018, 6:20 am
      We talk with Joseph Fraioli about his work on the new science fiction film "Kin" by directors Jonathan and Josh Baker. Joseph tells us about how he created an alien language and the sounds of the mysterious gun at the heart of the film. He also discusses how he uses modular synths in his sound design and how he worked with a sound team spread out between New York, Los Angeles, Toronto and Scotland.

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    • Live from Siggraph 2018
      ANIMATION

      Live from Siggraph 2018

      September 7, 2018, 12:45 pm
      In addition to our presentation, we’ve also included many of the scene files we showed and created during the show. Be sure to grab those below so you can break down our project settings and learn more about all the new R20 features.

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