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November 11, 2011, 6:47 pm
January 18, 2017, 10:09 am
What’s the most inefficient part of your workflow? It’s a big question with answers that can range from the very simple to the exceedingly complicated. Everything from render times to client feedback to transcoding logistics can impact how quickly or slowly a project is able to get through a post-production workflow. These elements plus countless The post Creating Post-Production Workflow Efficiencies with the Avid NEXIS | PRO appeared first on ProVideo Coalition.
January 16, 2017, 6:02 pm
Back in the days of film, when edits consisted of a piece of tape or some glue, and when fades and effects were created in a lab, firm choices needed to be made at each and every step of the process. With so many different things happening – images shot, developed, edited and exhibited on The post Tinker, Tinker, Tinker-28 Weeks of Post Audio-Week 10 appeared first on ProVideo Coalition.
January 16, 2017, 6:02 pm
Saturday, January 21, during the NAMM show in Anaheim, California, the eight TECnology Hall of Fame inductees for 2017 will be presented. Although a show like the one from the National Association of Music Merchants may seem distant, to some, from the areas covered by PVC, the fact is that when it comes to tools, The post Sound inventions inducted to the TECnology Hall of Fame appeared first on ProVideo Coalition.
January 15, 2017, 9:29 am
Thelma Schoonmaker, ACE is an iconic presence in the world of editing. Arguably, no name is known better in our industry. She has been teamed with Martin Scorsese in one of the longest-running director-editor collaborations in film, helping to shape cinema masterpieces such as Raging Bull, The Color of Money, The Last Temptation of Christ, The post ART OF THE CUT with Thelma Schoonmaker on Silence. appeared first on ProVideo Coalition.
January 13, 2017, 7:43 am
The nomination for the VES Awards comes for the studio’s work on the Quicksilver Extraction sequence from the 20th Century Fox film X-Men: Apocalypse. Rising Sun Pictures has been nominated for Outstanding Compositing in a Photoreal Feature in the Visual Effects Society’s 15th Annual VES Awards. In the Extraction sequence, Quicksilver (Evan Peters) uses his The post Rising Sun Pictures nominated for VES Award appeared first on ProVideo Coalition.
January 12, 2017, 4:24 am
Jennifer Lame started working as an assistant editor on TV shows like 30 Rock and Smash before joining editing teams on features films like Sidney Lumet’s Before the Devil Knows You’re Dead, and Reservation Road. She moved into the editor’s chair on the 2012 indie, Pricecheck before editing a trio of Noah Baumbach films: Frances The post ART OF THE CUT with Manchester by the Sea’s Jennifer Lame appeared first on ProVideo Coalition.
January 11, 2017, 11:09 am
The January meeting at the LAPPG is a unique opportunity to learn about sound from two of the most respected names in the industry of make believe. The meeting takes place at Crossroads School for Arts & Sciences, 1714, 21st Street, in Santa Monica, with doors opening at 7pm. How to get the most bang The post The invisible art of sound at LAPPG appeared first on ProVideo Coalition.
January 10, 2017, 5:30 pm
2500 megabytes per second drives. Dual 4K displays. External PCIe system expansion. Thunderbolt is no longer just a faster kind of Firewire. It’s a complete desktop ecosystem. In the world of computing there have traditionally been three main gateways for data going into and out of a PC: a network connection, a storage connection, and The post Thunderbolt 3: Now the revolution begins appeared first on ProVideo Coalition.
January 10, 2017, 11:15 am
As ProVideo Coalition starts a new year we would like to unveil a free after-Christmas present for all of our readers: the ProVideo Coalition PVC News iPhone app. The PVC News app is an easy and fast way to keep up with all of the latest articles, news and webinars without opening your web browser. It’s fast and The post Introducing the ProVideo Coalition PVC News iOS app appeared first on ProVideo Coalition.
January 9, 2017, 7:03 pm
When editing sound and building layers for blending, sometimes there is a feeling that each moment, each action must be filled with sound. However, the push and pull of storytelling in film requires an ebb and flow to the sound design and the mixing. As discussed regarding room tone, “silence” in filmmaking does not mean The post Silence in Sound-28 Weeks of Post Audio-Week 9 appeared first on ProVideo Coalition.
Gordon sits down with Lee Percy to discuss editing The Mountain Between Us.
Lisa and Gordon discuss her career and approach to editing. ACE will have Lisa as part of their panels at the upcoming Edit ...
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
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