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December 10, 2009, 5:22 am
This is the first of several episodes covering a workflow for using Red Digital Cinema Cameras with your Avid editing application. In this episode, we’ll convert R3D footage to DNxHD MXF files for offline editing. For this, we’ll use Avid’s Metafuze. Then, we’ll quickly import the files into the Avid, so you can edit away!
August 14, 2010, 12:06 pm
There’s one woman in the world who understands Quentin Tarantino better than anybody, and that’s Sally Menke. Since her work on Reservoir Dogs, Menke has cut every single one of Tarantino’s films, and for the last decade, she’s eschewed almost all other jobs to devote herself solely to the genre-blending auteur. This Sunday, Menke will be receiving the Lifetime Achievement honor at the Hamilton Behind the Camera Awards, and as Inglourious Basterds begins its transformation from unexpected...
August 14, 2010, 12:05 pm
Last week Quentin Tarantino hosted a below-the-line panel in Los Angeles for the Oscar-nominated members of his Inglourious Basterds crew, including director of photography Robert Richardson, visual effects designer John Dykstra and editor Sally Menke. Following the panel, Cinematical was lucky enough to catch up with Menke via telephone to ask a few additional questions. In addition to discussing the process of putting together Basterds, Menke mused about the necessity for film language in...
August 13, 2010, 7:48 pm
One of the reasons my direct posting here has been light lately is that we’ve been working on a small documentary, partly for the exercise but mostly to a) have demo material for prEdit that isn’t 10 years old and b) prove to myself the prEdit is indeed a great new workflow for documentary editing. Plus a documentary gets made to store the memories of the early 60’s drag racing community.
August 12, 2010, 5:22 pm
The final segment of my interview with engineer, inventor and entrepreneur, Bill Warner, the man who created Avid Technology. In this segment Bill talks about getting the initial investment, the period leading up to the launch of the company and how an encounter with some Apple employees at the SIGGRAPH show helped him and his team make a last minute decision to move development of the Media Composer to the Macintosh.
August 12, 2010, 5:21 pm
BOSTON - Blackmagic (www.blackmagic-design.com) has acquired EchoLab, a designer and manufacturer of production switchers. EchoLab has been building production switchers since 1974, and currently offers advanced ATEM switchers that offer up conversion on inputs, multilayer SuperSource input, Stinger transitions, and built in multi-view monitoring, all in a familiar and affordable M/E style design.
August 12, 2010, 12:34 am
I connected with Adam Coleite after putting out a call for reality editors to interview on Facebook. We met up at a restaurant of his choice – a Corner Bakery in Burbank. A genial 30-something, he gave me a rundown on the logistics and challenges of editing reality (love the double entendre) as well as some insightful comments on audience perceptions of the genre and his own take on it.
August 12, 2010, 12:28 am
The RED camera company has succeeded in shaking up the industry and getting all other camera manufacturers to rethink what a digital cinema camera should be. This year, the ARRI Alexa presents the first serious challenge by another system designed around a camera raw workflow.
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
Bill Curso is a makeup artist with thirty plus years under his belt, he’s got three Oscar nominations with one win, fiv ...
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