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  • AOTG

    Tiffen Updates Award-Winning DFX Version 3

    November 21, 2011, 11:19 am
    The Tiffen Company, a leading manufacturer and distributor of award-winning accessories for still and video imaging, motion picture, and broadcast markets has announced that its Tiffen Dfx v3 digital filter suite is now compatible with Avid 64-bit systems, Media Composer, and Symphony v6.0 as well as NewsCutter v10.0. In addition to 64-bit, the updated Dfx v3 plug-in sports enhanced filter control and adds support for 16 Sony camera models.

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  • Other Postings By Member

    • AOTG
      VFX

      ‘Guardians Vol. 2’ VFX Supervisor Talks New Ta

      February 24, 2018, 4:37 pm
      Not viewing himself as a comic book fan when he interviewed for 2011’s Captain America: The First Avenger, visual effects supervisor Christopher Townsend was surprised that he got that job, and even more so, that his relationship with the studio has continued through several films.

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    • AOTG
      VFX

      VFX Supervisors On Developing Snoke’s Physical F

      February 24, 2018, 4:37 pm
      Taking on The Force Awakens, followed directly by The Last Jedi, Oscar-nominated visual effects supervisors Ben Morris and Mike Mulholland have been living in the Star Wars universe for years now, and they wouldn’t have it any other way.

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    • Reveal File in Avid Media Composer
      EDITING

      Reveal File in Avid Media Composer

      February 24, 2018, 6:28 am
      Avid Media Composer has a coupe of places there right+clicking on a object will provide the option to Reveal File. There’s a few places where this can be quite useful.

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    • ALIEN COVENANT: Flashback VFX
      VFX

      ALIEN COVENANT: Flashback VFX

      February 23, 2018, 1:50 pm
      MPC presents their FX work on the flashback sequence of ALIEN – COVENANT...

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    • AOTG
      VFX

      THE LAST JEDI: Making of by ILM for The Hanger

      February 23, 2018, 5:58 am
      Come have a look about the creation of the big Hanger by ILM for STAR WARS – THE LAST JEDI...

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    • AOTG
      VFX

      Ex Machina VFX Breakdown

      February 23, 2018, 5:58 am
      Dneg – Ahead of the #Oscars here’s a VFX breakdown of our work on #ExMachina, which brought us our third Oscar for Best VFX! The latest breakdown video in our #20YearsOfDNEG series shows how the team enhanced Alicia Vikander’s incredible performance to create Ava – a main character who needed to be both obviously synthetic and yet at the same time strikingly human.

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    • Thor's VFX Supervisor Really Wants To Use Beta Ray
      VFX

      Thor's VFX Supervisor Really Wants To Use Beta Ray

      February 23, 2018, 5:58 am
      For comic book fans, to see what the Marvel Cinematic Universe has become is rather extraordinary. In the last 10 years we have seen characters hit the big screen that we never expected to be portrayed in live-action, and as a result one can only imagine the heroes and villains we'll get to meet in another 10.

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    • AOTG
      VFX

      'Coco' Depends on VFX for That Wow Factor

      February 22, 2018, 3:17 pm
      While many live-action features include an increasing amount of CG animation, the movement has gone both ways, and animated features now also boast effects that are increasingly sophisticated and often highly realistic. It is a trend validated by the Visual Effects Society, which honors effects in animated films at its annual VES Awards.

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    • AOTG
      SOUND

      How Hans Zimmer Fused Sound And Image

      February 22, 2018, 3:17 pm
      Embarking on a storied creative partnership with Christopher Nolan over a decade ago, Hans Zimmer always shared with the director one particular desire: to compose a score that would fuse completely and irrevocably with the image.

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    • BRIGHT: Jason Billington - VFX Supervisor
      VFX

      BRIGHT: Jason Billington - VFX Supervisor

      February 22, 2018, 11:45 am
      Jason Billington worked in many studios such as Fuel, Meteor Studios, Digital Domain and ILM before joining Iloura (now Method Studios) in 2015. He has worked on films such as TRANSFORMERS, AVATAR, PACIFIC RIM and JURASSIC WORLD. As a VFX Supervisor, he took care of the effects of DEEPWATER HORIZON, PATRIOTS DAY and GHOST IN THE SHELL.

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