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January 21, 2017, 10:40 am
A year ago, Maryann Brandon was nominated for an Oscar for Best Editing for Star Wars: The Force Awakens. It was the latest film in a long-running collaboration with director and producer J.J. Abrams that goes back to the TV series Alias. Brandon’s credits include Star Trek Into Darkness, Super 8, and Mission Impossible 3. The post ART OF THE CUT with Maryann Brandon, ACE on cutting Pasengers appeared first on ProVideo Coalition.
January 20, 2017, 10:15 am
I get these emails from “Sara at CrumplePop”, spruiking all sorts of clever plugins for FCPX. Normally I resist the shiny-shiny, protecting my wallet from harm and my effects folders from clutter, but this one caught my eye: Hi everyone, Today [18 January] we’re introducing EasyTracker for Final Cut Pro X. EasyTracker is a plugin that lets The post Quick Look: EasyTracker for FCPX appeared first on ProVideo Coalition.
January 19, 2017, 6:02 pm
You’re an artist? A storyteller? A filmmaker? You love graphic design and want to learn the high art of animation? Then this eBook is for you. Written by Timo Fecher, it aims to help you transform your ideas into visible art. Adobe After Effects is a constant reference within the 200 pages of this eBook, The post A free eBook on Motion Graphics and Adobe After Effects appeared first on ProVideo Coalition.
January 19, 2017, 10:26 am
The VES Awards ceremony will be held on February 7th, but the nominees in film, animation, television, commercials and video games are already known and there is a fierce battle for the top places, as usual. Rogue One: A Star Wars Story received the most feature film nominations with seven, while Doctor Strange and The The post Rogue One, Game of Thrones and Kubo leading VES Awards appeared first on ProVideo Coalition.
January 18, 2017, 10:09 am
What’s the most inefficient part of your workflow? It’s a big question with answers that can range from the very simple to the exceedingly complicated. Everything from render times to client feedback to transcoding logistics can impact how quickly or slowly a project is able to get through a post-production workflow. These elements plus countless The post Creating Post-Production Workflow Efficiencies with the Avid NEXIS | PRO appeared first on ProVideo Coalition.
January 16, 2017, 6:02 pm
Back in the days of film, when edits consisted of a piece of tape or some glue, and when fades and effects were created in a lab, firm choices needed to be made at each and every step of the process. With so many different things happening – images shot, developed, edited and exhibited on The post Tinker, Tinker, Tinker-28 Weeks of Post Audio-Week 10 appeared first on ProVideo Coalition.
January 16, 2017, 6:02 pm
Saturday, January 21, during the NAMM show in Anaheim, California, the eight TECnology Hall of Fame inductees for 2017 will be presented. Although a show like the one from the National Association of Music Merchants may seem distant, to some, from the areas covered by PVC, the fact is that when it comes to tools, The post Sound inventions inducted to the TECnology Hall of Fame appeared first on ProVideo Coalition.
January 15, 2017, 9:29 am
Thelma Schoonmaker, ACE is an iconic presence in the world of editing. Arguably, no name is known better in our industry. She has been teamed with Martin Scorsese in one of the longest-running director-editor collaborations in film, helping to shape cinema masterpieces such as Raging Bull, The Color of Money, The Last Temptation of Christ, The post ART OF THE CUT with Thelma Schoonmaker on Silence. appeared first on ProVideo Coalition.
January 13, 2017, 7:43 am
The nomination for the VES Awards comes for the studio’s work on the Quicksilver Extraction sequence from the 20th Century Fox film X-Men: Apocalypse. Rising Sun Pictures has been nominated for Outstanding Compositing in a Photoreal Feature in the Visual Effects Society’s 15th Annual VES Awards. In the Extraction sequence, Quicksilver (Evan Peters) uses his The post Rising Sun Pictures nominated for VES Award appeared first on ProVideo Coalition.
January 12, 2017, 4:24 am
Jennifer Lame started working as an assistant editor on TV shows like 30 Rock and Smash before joining editing teams on features films like Sidney Lumet’s Before the Devil Knows You’re Dead, and Reservation Road. She moved into the editor’s chair on the 2012 indie, Pricecheck before editing a trio of Noah Baumbach films: Frances The post ART OF THE CUT with Manchester by the Sea’s Jennifer Lame appeared first on ProVideo Coalition.
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
Bill Curso is a makeup artist with thirty plus years under his belt, he’s got three Oscar nominations with one win, fiv ...
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