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  • Conforming two sets of production sound

    Conforming two sets of production sound

    November 30, 2011, 11:56 am
    A situation we experienced on Hotel Noir was the use of two four-track field recorders to capture production sound. Ideally, one recorder should be used with enough tracks to handle the required microphone inputs. As we processed dailies in the Avid, we selected a mixed-down audio track for our guide during the offline edit...

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  • Other Postings By Member

    • Onlining RED with Avid Media Composer
      EDITING

      Onlining RED with Avid Media Composer

      October 24, 2011, 3:57 pm
      If you're shooting with RED and don’t need/want a traditional conform to the 4K RAW files, you can follow Oliver Peters' excellent tutorial found here. He explains best practices for importing RED media for the offline edit and how to re-import and create a high-quality DNxHD 175X output. I'm in the middle of doing this...

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    • You are your NLE
      EDITING

      You are your NLE

      September 25, 2011, 4:03 pm
      The release of Final Cut Pro X has brought to light a certain distinction amongst picture editors. When Apple removed key features and changed the user interface, they received a wicked backlash. The biggest complaints weren't with the UI but lack of OMF, XML, and EDL support. Without these it's impossible to use FCPX in...

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