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December 21, 2020, 3:37 pm
Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal. We explore how to make a movie internationally when the entire crew is located in separate countries.
January 5, 2021, 1:56 pm
So, if you’re more on the beginner side of things, there’s really no need to pull your wallet out just yet. No matter the type of content you’re going to be editing—whether it’s podcasts or just general narration/VO—you want something that’s going to allow you to make simple cuts, add transitions, and control the decibels. If you’re looking to do anything else, like adding effects, you’ll need to try out one of the paid programs.
January 5, 2021, 1:56 pm
Avid Media Composer 2020.12 is here and this time the update includes the possibility to import H.265/HEVC files and use them on the timeline without transcoding. It also offers updates to Avid Titler+, multiple improvements to the Audio Mixer, and several more aspects.
January 3, 2021, 9:40 pm
Here is my open letter to companies like Adobe, Blackmagic Design and all the other non-linear editing and post-production software makers out there...
December 30, 2020, 3:08 pm
"Palm Springs" editor Matt Friedman tells TheWrap there was a whole other beginning of the film that they ultimately decided not to use.
December 30, 2020, 3:08 pm
2021 is almost here, but let's not pass up an opportunity to recognize some of the talented SFX creators who contribute to the site - here are 12 of the most popular libraries from 2020...
December 29, 2020, 5:40 pm
I am often asked about transferring VHS or another format to MP4. Since my typical transfer job for a customer is usually to convert a lot of videos to either DVD or USB, I need to carefully consider the most efficient way to do this. One approach is to use a simple interface between the VHS deck and my computer. A device like the”Video 2 PC” converter from Ion enables you to bring the tape into your computer. But you can only do one at a time. Some of the tapes, however, are six hours long. That’s too long to tie up a computer.
December 29, 2020, 2:08 pm
In the 1990s there was a flurry of interest and developments in digital compositing. Many VFX studios had taken on tools like Quantel’s Harry, Kodak’s Cineon, Wavefront’s Composer or Discreet Logic’s Flame, while a number of node-based solutions, such as Digital Domain’s (later Foundry’s) Nuke and Nothing Real’s (later Apple’s) Shake, further emerged in this era.
December 29, 2020, 2:07 pm
A lot of us have this myth in our head that if we work hard and stay out of trouble, good things will come our way. That is a mistake. The truth is that it doesn’t work that way. Nobody is paying attention. The other part of it is that we typically wait for our annual review.
December 23, 2020, 3:13 pm
“Monster Hunter” director Paul W.S Anderson calls VFX head Dennis Berardi “an invaluable creative partner.” The two have collaborated on movies dating back to “Resident Evil.”
Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. ...
Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal. We explore how to make ...
Jody McVeigh-Schultz and Lane Farnham discuss tackling HBO's documentary series McMillion$, a series that explores the f ...
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