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  • AOTG

    Ramy Katrib: Founder and CEO, Digitalfilm Tree

    December 21, 2009, 5:45 am
    When FCP hit the world back in 1999 the program was regarded as a video editing application. For those wishing to work with film, and match the negative to the edit produced within Final Cut, this was a formidable challenge. Those at a Los Angeles based edit facility known as DigitalFilm Tree were pioneers who broke through the wall of expensive post production and made film editing using FCP possible. Ramy Katrib, Founder and CEO of DigitalFilm Tree, was instrumental in making this happen...

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  • Other Postings By Member

    • AOTG
      VFX

      How VFX Artist Created Beasts and Landscapes

      December 23, 2020, 3:13 pm
      “Monster Hunter” director Paul W.S Anderson calls VFX head Dennis Berardi “an invaluable creative partner.” The two have collaborated on movies dating back to “Resident Evil.”

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    • AOTG
      VFX

      Zack Snyder Thanks Snyder Cut Supporters After Rai

      December 23, 2020, 3:13 pm
      While the chief goal of the Snyder Cut movement was to get director Zack Snyder’s fully realized vision for Justice League out to the masses, it also did some good for charity along the way. Fans have raised a lot of money for the American Foundation for Suicide Prevention in honor of Zack Snyder’s late daughter Autumn, and continue to do so even with Zack Snyder’s Justice League on course for a 2021 release. Now the filmmaker has once again thanked those who have donated money to this worthy cause.

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    • AOTG
      VFX

      A 'Midnight Sky' VFX conversation—Part 1: LED wa

      December 23, 2020, 3:13 pm
      George Clooney’s The Midnight Sky, now streaming on Netflix, follows action both on Earth (in the Arctic) and in space (mainly on the spacecraft Æther). The filmmakers looked to new virtual production methods, in particular LED walls using ILM’s StageCraft technology set up at Shepperton Studios, to help realize icy Arctic environments.

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    • AOTG
      VFX

      The Crown Season Four

      December 22, 2020, 2:19 pm
      Check out Framestore's work for the fourth season of The Crown.

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    • AOTG
      EDITING

      Adobe Premiere Pro, Premiere Rush, and Audition Ge

      December 22, 2020, 2:18 pm
      Premiere Pro, Premiere Rush, and Audition just got native support for new Apple M1 chipsets. These are available in public Beta today. The M1-native Premiere Pro Beta includes the core editing functions and support for the most widely used codecs: H.264, HEVC, and ProRes.

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    • AOTG
      VFX

      VFX Legion Provides OPSIS With VFX Support for Mic

      December 22, 2020, 2:18 pm
      Visualization services company, OPSIS, recently called on VFX Legion to lend its talents to Songbird, director Adam Mason’s new dystopian thriller from producer Michael Bay. As the film’s primary visual effects vendor, OPSIS provided end-to-end services – from Concept, Previs, Postvis and finalizing VFX shots to assembling the right talent for the job. OPSIS integrated Legion into its team, tapping the pioneering remote company’s...

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    • AOTG
      EDITING

      Adobe Premiere Pro, Rush, Audition Beta now on App

      December 22, 2020, 2:18 pm
      Apple’s ARM-based M1 Macs have definitely conquered the computing and tech news, at least until Cyberpunk 2077’s disastrous launch took over. The chip’s power and capabilities have definitely impressed both users and pundits but all that is for naught if apps don’t take advantage of it.

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    • AOTG
      VFX

      VFX notes from the ICG 'Mandalorian' s2 panel

      December 22, 2020, 2:18 pm
      Today, Local 600/ICG Magazine hosted an amazing panel on s2 of The Mandalorian, hosted by Executive Editor David Geffner, which dived into the LED Volume work and VFX from this season.

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    • AOTG
      VFX

      WANTED: your story suggestions

      December 22, 2020, 2:18 pm
      Hi readers, it’s been a big year at befores & afters. I’ve been aiming to post content pretty much daily here, there’s the brand new print publication (!), and technical stories have been ramping up on the site as well.

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    • Episode 278 — F*** 2020!
      VFX

      Episode 278 — F*** 2020!

      December 22, 2020, 2:17 pm
      2020 will go down in history as a big “What the Fuck?” Year! We’ve all experienced different things, but I don’t think many of us have had positive experiences. But to put things in perspective, we’re given an opportunity for a do-over. We’re all in this situation. When I realize that, it’s a bit more reassuring. How can we leverage things out? How can we turn this around?

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